Visualizzazione post con etichetta The Holdovers. Mostra tutti i post
Visualizzazione post con etichetta The Holdovers. Mostra tutti i post

martedì 23 gennaio 2024

Oscars 2024: nomination e vincitori

96th Academy Awards 

Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer

Best Director
Justine Triet — “Anatomy of a Fall”
Martin Scorsese — “Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Yorgos Lanthimos — “Poor Things”
Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role
Bradley Cooper — “Maestro”
Colman Domingo — “Rustin”
Paul Giamatti — “The Holdovers”
Cillian Murphy — “Oppenheimer”
Jeffrey Wright — “American Fiction”

Actress in a Leading Role
Annette Bening — “Nyad”
Lily Gladstone — “Killers of the Flower Moon”
Sandra Hüller — “Anatomy of a Fall”
Carey Mulligan — “Maestro”
Emma Stone — “Poor Things”

Actor in a Supporting Role
Sterling K. Brown — “American Fiction”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Mark Ruffalo — “Poor Things”

Actress in a Supporting Role
Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
America Ferrera – “Barbie”
Jodie Foster — “Nyad”
Da’Vine Joy Randolph — “The Holdovers”

International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Adapted Screenplay
“American Fiction,” written for the screen by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written for the screen by Christopher Nolan
“Poor Things,” screenplay by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay
“Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song

Cinematography
“El Conde” – Edward Lachman
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte van Hoytema
“Poor Things” – Robbie Ryan

Film Editing
“Anatomy of a Fall” – Laurent Sénéchal
“The Holdovers” – Kevin Tent
“Killers of the Flower Moon” – Thelma Schoonmaker
“Oppenheimer” – Jennifer Lame
“Poor Things” – Yorgos Mavropsaridis

Costume Design
“Barbie” – Jacqueline Durran
“Killers of the Flower Moon” – Jacqueline West
“Napoleon” – Janty Yates and Dave Crossman
“Oppenheimer” – Ellen Mirojnick
“Poor Things” – Holly Waddington

Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn

Original Score
“American Fiction” – Laura Karpman
“Indiana Jones and the Dial of Destiny” John Williams
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix

Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Documentary Feature Film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory”
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Live Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

Documentary Short Film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

#HolywoodCiak
Bengi

venerdì 19 gennaio 2024

Screen Actors Guild Awards 2024: nomination e vincitori

30th Screen Actors Guild Awards

Outstanding Performance by a Cast in a Motion Picture
“American Fiction”
“Barbie”
“The Color Purple”
“Killers of the Flower Moon”
“Oppenheimer”

Outstanding Performance by a Male Actor in a Leading Role
Bradley Cooper – “Maestro”
Colman Domingo – “Rustin”
Paul Giamatti – “The Holdovers”
Cillian Murphy – “Oppenheimer”
Jeffrey Wright – “American Fiction”

Outstanding Performance by a Female Actor in a Leading Role
Annette Bening – “Nyad”
Lily Gladstone – “Killers of the Flower Moon”
Carey Mulligan – “Maestro”
Margot Robbie – “Barbie”
Emma Stone – “Poor Things”

Outstanding Performance by a Male Actor in a Supporting Role
Sterling K. Brown – “American Fiction”
Willem Dafoe – “Poor Things”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. – “Oppenheimer”
Ryan Gosling – “Barbie”

Outstanding Performance by a Female Actor in a Supporting Role
Emily Blunt – “Oppenheimer”
Danielle Brooks – “The Color Purple”
Penelope Cruz – “Ferrari”
Jodie Foster – “Nyad”
Da’Vine Joy Randolph – “The Holdovers”

Outstanding Performance by an Ensemble in a Drama Series
“The Crown”
“The Gilded Age”
“The Last of Us”
“The Morning Show”
“Succession”

Outstanding Performance by an Ensemble in a Comedy Series
“Abbot Elementary”
“Barry”
“The Bear”
“Only Murders in the Building”
“Ted Lasso”

Outstanding Performance by a Male Actor in a Drama Series
Brian Cox – “Succession”
Billy Crudup – “The Morning Show”
Kieran Culkin – “Succession”
Matthew Macfadyen – “Succession”
Pedro Pascal – “The Last of Us”

Outstanding Performance by a Female Actor in a Drama Series
Jennifer Aniston – “The Morning Show”
Elizabeth Debicki – “The Crown”
Bella Ramsey – “The Last of Us”
Keri Russell – “The Diplomat”
Sarah Snook – “Succession”

Outstanding Performance by a Female Actor in a Comedy Series
Alex Borstein – “The Marvelous Mrs. Maisel”
Rachel Brosnahan – “The Marvelous Mrs. Maisel”
Quinta Brunson – “Abbott Elementary”
Ayo Edebiri – “The Bear”
Hannah Waddingham – “Ted Lasso”

Outstanding Performance by a Male Actor in a Comedy Series
Brett Goldstein – “Ted Lasso”
Bill Hader – “Barry”
Ebon Moss-Bachrach – “The Bear”
Jason Sudeikis – “Ted Lasso”
Jeremy Allen White – “The Bear”

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
Uzo Aduba – “Painkiller”
Kathryn Hahn – Tiny Beautiful Things”
Brie Larson – “Lessons in Chemistry”
Bel Powley – “A Small Light”
Ali Wong – “Beef”

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
Matt Bomer – “Fellow Travelers”
Jon Hamm – “Fargo”
David Oyelowo – “Lawmen: Bass Reeves”
Tony Shalhoub – “Mr. Monk’s Last Case: A Monk Movie”
Steven Yeun – “Beef”

Outstanding Action Performance by a Stunt Ensemble in a Television Series
“Ahsoka”
“Barry”
“Beef”
“The Last of Us”
“The Mandalorian”

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“Barbie”
“Guardians of the Galaxy Vol. 3”
“Indiana Jones and the Dial of Destiny”
“John Wick: Chapter 4”
“Mission: Impossible – Dead Reckoning Part One”

#HollywoodCiak
Bengi

martedì 9 gennaio 2024

Film 2241 - The Holdovers

Intro: Consigliato dalla mia amica Gloria come il film della stagione passata che più l'aveva sorpresa, appena ho potuto l'ho recuperato.

Film 2241: "The Holdovers" (2023) di Alexander Payne
Visto: dal computer di casa
Lingua: inglese
Compagnia: nessuno
In sintesi: decisamente non il film di natale che mi aspettavo - o, comunque, sicuramente non la tipica pellicola natalizia che inizia a circolare intorno ai mesi di novembre e dicembre - "The Holdovers" è un buon titolo dall'atmosfera rétro che tratta il tema natalizio in realtà solo marginalmente, per concentrarsi con interesse sullo studio di un gruppo di personaggi che rimane a vivere presso il campus di una scuola durante le due settimane di vacanze natalizie: un burbero professore di storia, uno dei suoi studenti e la cuoca.
Il film parte piano e inizialmente sembrerebbe volersi più che altro concentrare sulle bravate dello studente e un gruppo di altri ragazzi che parrebbe doversi trattenere per le feste. Quando, però, anche gli altri studenti se ne vanno, la storia prende una piega diversa, il tono si fa più intimo e la storia comincia ad andare più in profondità con l racconto delle varie vicende che riguardano i tre protagonisti. Ognuno di loro ha dei demoni da affrontare e, nella strana combinazione delle cose della vita, si aiuteranno e sosterranno a vicenda in una serie di occasioni che, fosse mancato il pretesto del rimanere bloccati presso il campus scolastico, non si sarebbero mai verificate.
Alexander Payne confeziona una pellicola delicatamente vintage che non rifugge questioni impegnative e umanamente complesse, senza mai però risultare pesante. Questo è l'aspetto che ho apprezzato di più di "The Holdovers". Poi non nego certo che non sia il mio titolo a tema natalizio preferito, ma rimane un film che ho visto volentieri e mi ha lasciato una bella sensazione addosso (specialmente dopo l'inaspettato finale).
Cast: Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa, Carrie Preston, Tate Donovan.
Box Office: $20.8 milioni
Vale o non vale: Non fatevi trarre in inganno, non è il film di natale "classico": è una pellicola che racconta una storia che si svolge durante il periodo natalizio. Chiarito ciò, "The Holdovers" è un buon prodotto (che per certi versi mi ha ricordato "With Honors" ma con un tono più adulto) che funziona grazie a una storia che si rivela solo pian piano e tre protagonisti sulla carta improbabili, ma sullo schermo affiatatissimi (anche se mi chiedo quanto "da Oscar" sia la performance di Da'Vine Joy Randolph che già danno come favorita come Miglior attrice non protagonista).
Premi: Vincitore di 2 Golden Globe per il Miglior attore protagonista, commedia o musical (Giamatti) e la Miglior attrice non protagonista (Randolph) e candidato per il Miglior film, commedia o musical.
Parola chiave: Christmas break.
Trailer
#HollywoodCiak
Bengi