Visualizzazione post con etichetta Joe Alwyn. Mostra tutti i post
Visualizzazione post con etichetta Joe Alwyn. Mostra tutti i post

giovedì 29 gennaio 2026

Film 2433 - Hamnet

Intro: I'm in my movie era once again and lately I've been trying to catch up with all the films that I missed during last year or saved "for later" and never went back to. So here we are, giving this franchise another chance after its disappointing latest entries. But I was looking for somthing fun and easy and I thought this one could be a good candidate.

Film 2433
: "Hamnet" (2025), Chloé Zhao
Watched: At the movies
Language: English
Watched with: Niamh
Thoughts: If "Shakespeare in Love" were a bit more similar to this one, maybe it would have received less backlash when winning all those Oscars...
Controversy aside, "Hamnet" really surprised me. I wasn’t sure I’d have enjoyed it — it’s a period drama about Shakespeare and the making of Hamlet, so not necessarily my go-to story. And yet, I really liked it.
It’s definitely not an easy watch. It’s a sad story about the struggle of a family; it revolves around grief and loss. But it’s so beautifully made — its connection to nature, death, and those powers that go beyond the human experience is ever-present — and the performances are so powerful that it all stays with you even after the movie has ended. It is, indeed, an experience, and I think Chloé Zhao’s sensibility and vision for this story really make it a unique piece of art.
On top of all of this, Jessie Buckley gives the performance of a lifetime. She’s magnetic and charismatic and almost carries the whole movie herself. It’s honestly a revelation. She’s so connected to her emotions, and she’s able to portray them in such a way that is exhilarating to watch and heartbreaking at the same time. If this performance doesn’t win her the Oscar, I don’t know what will. Paul Mescal is also great here, and it’s a bit disappointing to see him left out of the Supporting Actor category, even though he didn’t really have a shot at winning.
Possibly the biggest surprise of "Hamnet" is Jacobi Jupe, a kid actor who can hold his own in a room full of talented grown-ups. His performance is amazing and, although difficult for a younger actor, he should have been more recognized for his portrayal of Hamnet Shakespeare.
Overall, this is one of the best movies nominated at the Oscars that I’ve seen so far. I do think that the first part is a bit slow and can drag at times, yet once the story gets you to the city — once you’re in that theater — you’re hooked. That last scene, when Agnes (Buckley) reaches forward to hold the actor’s hand (Noah Jupe), is so powerful and meaningful that it was impossible for me to hold back my tears. If only for that scene, "Hamnet" is a great movie.
Cast: Jessie Buckley, Paul Mescal, Emily Watson, Jacobi Jupe, Noah Jupe, Joe Alwyn.
Box Office: $22 million
Worth a watch?: Not an easy watch and probably not everyone’s cup of tea. If you like beautifully shot dramas and/or if you’re a fan of the Oscars, this is a must-watch. And Jessie Buckley’s performance is one for the ages.
Awards: Nominated for 8 Oscars for Best Picture, Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Production Design, and Original Score. Nominated for 11 BAFTAs for Best Film, Director, Actress in a Leading Role (Buckley), Actor in a Supporting Role (Paul Mescal), Actress in a Supporting Role (Emily Watson), Adapted Screenplay, Costume Design, Production Design, Makeup and Hair, Original Score, and Outstanding British Film. Nominated for 6 Golden Globes (Best Director, Supporting Actor for Mescal, Screenplay, and Original Score), it won for Best Motion Picture - Drama and Best Actress in a Motion Picture - Drama (Buckley). 3 nominations at the Actor Awards for Outstanding Performance by a Cast in a Motion Picture, Outstanding Performance by a Female Actor in a Leading Role (Buckley), and Outstanding Performance by a Male Actor in a Supporting Role (Mescal).
Key word: London.

Trailer
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Bengi

sabato 26 aprile 2025

Film 2358 - The Brutalist

Intro: We were really curious to watch this movie after hearing about it so much and in such good terms. Also, we thought  it would have played a bigger role during the awards season.

Film 2358
: "The Brutalist" (2024), Brady Corbet
Watched on: At the movies
Language: English
Watched with: Niamh, Elias, Debbi
Thoughts: Not a huge fan of Adrien Brody to be honest and I wasn't quite sure I could handle a 3 hour film - I'm not my younger and enthusiastic self anymore - but we ended up going all together to see Brady Corbet's epic WWII architectural saga because a) everyone was talking about it and b) it looked like the Oscars were going to recognize this movie big time. And point b) kinda happened.
Altought this is definitely not my movie of the year - neither in general, nor between the Oscar nominated pictures - I made peace with the fact that "The Brutalist" was going to win Best Picture a long time before the actual Oscars night. Imagine my shock when the winnder announced was actually "Anora". Two opposite movie experiences for me, one calm (althought traumatic), the other one screamed at you. Funny how things can still surprise you even when you think you have all figured out.
Anyway, "The Brutalist" wasn't as heavy to watch as I thought I would be: it's not an easy ride by any means, but the beautiful shots, the elegance of this film and the compelling story makes up for it. Still, not a huge fan of Adrien Brody. His performance is (obviously) good, and nobody does the a WWII movie like him, but another Oscar after "The Pianist"? For a very similar performance? Again? The only actor across all 4 acting categories who already had an Oscar, won his second one. Was it really necessary? I was hard-core rooting for Ralph Fiennes but I was happy to settle for Timothée... but Brody again? I don't know, it still doesn't sound right to me.
And, I'll be honest, it still shocks me that Brady Corbet didn't win for Best Director considering how beautifully shot and directed his movie is. A movie about an architect, the building of his visionary magnum opus, the epic tale of an artist, his struggle, the war, having to run away from your own country... It had all the elements. Especially considering that neither Edward Berger for "Conclave" nor Luca Guadagnino for "Challengers" were nominated.
Anyway, I enjoyed "The Brutalist" as a one time experience - with the intermission and all - and that part shot in the marble caves of Carrara stays with me to this day. It's a very well done movie, a visionary one fur sure and extremelly well executed. Not my favourite of them all, but still a great expample of contemporary cinema.  
Cast: Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, Alessandro Nivola.
Box Office: $50.1 million
Worth a watch?: Definitely not a film for everyone nor a cinematic experience for every occasion as the movie is 215 minutes long. But, if you have the willingness and the patience, it's definitely worth watching.
Awards: 3 Oscars wins (Best Actor for Brody, Original Score, and Cinematography) out of 10 nominations (Best Picture, Director, Supporting Actor for Pearce, Supporting Actress for Jones, Original Screenplay, Editing, and Production Design). 4 BAFTAs wins (Best Director, Actor in a Leading Role, Cinematography, and Original Score) out of 9 noms (Best Film, Actor in a Supporting Role, Actress in a Supporting Role, Original Screenplay, and Production Design) and 3 Golden Globes wins (Best Motion Picture – Drama, Actor in a Motion Picture – Drama, Director) out of 7 overall nominations (Best Supporting Actor, Supporting Actress, Screenplay, and Original Score). Winner of the Silver Lion (Brady Corbet) at 2024's Venice Film Festival.
Key word: Bulding.

Trailer
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Bengi

lunedì 13 gennaio 2020

Film 1727 - Mary Queen of Scots

Intro: Sinceramente non vedevo l'ora di vederlo, sia perché la storia della famiglia reale britannica mi affascina tantissimo, sia perché le due grandi protagoniste presenti promettevano scintille.
Film 1727: "Mary Queen of Scots" (2018) di Josie Rourke
Visto: dal computer portatile
Lingua: inglese
Compagnia: nessuno
In sintesi: avevo grandissime aspettative per questa pellicola, tutte onestamente disattese. Non che non ci fossero le carte in regola per un potenzialmente interessante e ben realizzato prodotto cinematografico, ma la realtà è che questo "Mary Queen of Scots" non funziona a livello di trama e lascia lo spettatore poco interessato alla vicenda originale, anche considerate le svariate inesattezze storiche raccontate (Maria Stuarda ed Elisabetta I non si incontrarono mai).
Al di là di questo, comunque, mi è parso un prodotto poco ispirato, nonostante i bellissimi costumi e le due grandi attrici coinvolte. Insomma, si poteva fare di più (vedi "Elizabeth") e molto meglio. Peccato per l'occasione persa.
Cast: Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn, David Tennant, Guy Pearce, Gemma Chan.
Box Office: $46.7 milioni
Vale o non vale: Nonostante le aspettative, il film non riesce a veicolare quella grandezza e magnificenza, nonché il mistero che si celano dietro a questa storia di potere e famiglia. Certamente non il miglior titolo sull'argomento, anche se visivamente questa pellicola ha il suo perché.
Premi: Candidato a 2 Oscar (Migliori costumi e make up) e 3 BAFTA (Miglior attrice non protagonista per Robbie, costumi e make up).
Parola chiave: Throne.

Trailer
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Bengi

lunedì 30 dicembre 2019

Film 1716 - The Favourite

Intro: Il lavoro di Lanthimos mi intriga molto, anche se l'ultimo "The Killing of a Sacred Deer" non mi aveva particolarmente convinto. Le recensione per questa pellicola erano, però, pazzesche, senza contare che il cast era semplicemente magnifico. Non potevo perdermelo.
Film 1716: "The Favourite" (2018) di Yorgos Lanthimos
Visto: dal computer portatile
Lingua: inglese
Compagnia: nessuno
In sintesi: come sempre mi aspettavo qualcos'altro, forse qualcosa di più. Il problema non è il film in sé - come quasi sempre -, ma le aspettative, quello che leggo, le recensioni, ecc. "The Favourite" è un prodotto assolutamente ben realizzato, creativo, che presenta una storia del passato con un piglio totalmente moderno che trasforma il concetto di "storico" e lo ripresenta in forma originale, spoglio di quella pomposità tipico di titoli simili.
Per quanto mi riguarda il fascino di questo film deriva da due fattori principali: la storia, intesa sia come l'originale (quella della regina Anna, monarca del Regno Unito nel '700) che la presentazione fatta da Lanthimos; le tre protagoniste Colman, Stone e Weisz, perfetto trio che mescola potere e sessualità, strategia e vendetta. Questi due elementi valgono da soli la visione. In particolare la performance di Colman è inarrivabile, costruita grazie a una serie di strati di insicurezza, vulnerabilità, solitudine, remissione, desiderio di amore e passione, il tutto per un mix umano straziante, divertente, realistico come poche altre volte si è visto sul grande schermo. Oscar meritatissimo (anche se speravo di cuore fosse la volta di Glenn Close, se non altro come riconoscimento di una carriera pazzesca).
In generale, quindi, "The Favourite" mi ha conquistato, anche se non nella maniera "classica" che mi sarei aspettato. Meglio così, convenzionale è, oggi più che mai, noioso.
Cast: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss.
Box Office: $95.9 milioni
Vale o non vale: Sicuramente una pellicola da vedere. Realizzata benissimo, con un punto di vista estremamente interessante, la descrizione di una vita apparentemente plausibilmente meravigliosa, in realtà difficile, triste, complicata da malattia, debolezze e vizi, forze politiche, desideri di potere e, naturalmente, sentimenti.
Le tre protagoniste sono meravigliose, il punto di vista di Lanthimos sempre tra i più originali oggi sulla piazza.
Premi: Vincitore dell'Oscar per la Miglior attrice protagonista (Coleman) su 10 candidature totali (Miglior fil, regia, sceneggiatura originale, costumi, scenografie, fotografia, montaggio e attrici non protagoniste per Weisz e Stone); 5 nomination ai Golden globe (tra cui Miglior film) e vittoria per Colman come Miglior attrice musical o commedia; 12 nomination (tra cui Miglior film e regia) ai BAFTA e 7 premi vinti (Miglior film britannico, attrice protagonista, attrice non protagonista per Weisz, sceneggiatura originale, trucco, costumi e scenografie); 2 premi al Festival del cinema di Venezia: Leone d'argento e Coppa Volpi per la Miglior attrice (Colman).
Parola chiave: Love.

Trailer
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Bengi