Visualizzazione post con etichetta Julia Fox. Mostra tutti i post
Visualizzazione post con etichetta Julia Fox. Mostra tutti i post

giovedì 16 aprile 2026

Film 2446 - The Moment

Intro: Last Friday evening in Dublin before the two-week break in Fuerteventura, Spain. And we couldn't leave Ireland without going to the movies to catch this one!

Film 2446
: "The Moment" (2026), Aidan Zamiri
Watched: At the movies
Language: English
Watched with: Niamh, Debbi, Rachel
Thoughts: I famously hate extremely loud movies, but this one I didn't mind too much. It gave me anxiety, yes, but I still enjoyed the ride.
I think the main selling point for me is Charli XCX: she's very entertaining and surprisingly good here. I know she's playing herself, so obviously it's a bit easier than playing a character from scratch, but she comes across as genuine and authentic, not forced, still able to channel that "Brat" energy even though Brat Summer ended a while ago now. Which brings me to my next point.
"Brat" came out on June 7, 2024. Brat Summer was "over" in September 2024, but then it experienced a resurgence after Charli's 2025 Coachella Valley Music and Arts Festival performance. I went to see Charli perform here in Dublin on June 17, 2025, and Brat Summer was still very much alive. So my question is: why wait until the beginning of 2026 to release this movie in theaters?
"The Moment" and Emerald Fennell's "Wuthering Heights" came out at the same time and, from a marketing perspective, it's a strange move. This movie is clearly connected to the album "Brat": they share the same art style and visuals, and although this is a mockumentary that aims to make fun of Brat Summer and its cultural impact, it heavily features "Brat", the tour, Charli's life, and the media attention around her. On the other hand, "Wuthering Heights" is directly connected to Charli's subsequent eponymous soundtrack album that she created for the film. And with the release of the first singles from the album, "House" and "Chains of Love", it seemed clear that Charli had entered a new era—even if it's currently tied to a film (a new album is apparently on the way).
In this sense, A24's "The Moment" feels a little bit too late. It should have come out earlier to link it more directly to "Brat" and make better use of the cultural phenomenon that Brat Summer proved to be. I'm not surprised that this movie didn't make a big splash at the box office: not only it came out to leat, but also it's a mockumentary and it's tied to an artist who is hugely famous, yes, but not everyone's cup of tea. Not to mention that the beef with Taylor Swift might have had an impact on whether people decided to give this film a go or not.
Anyway, I enjoyed "The Moment" enough, although it wasn't what I expected. I found some moments funny—like when the whole tour starts very "Brat" and ends up becoming a sellout version of itself, or when Charli tries to pay with the Brat card but it doesn't actually work—and I appreciated how committed she was to this project. I didn't enjoy how stressed the story and editing made me feel, but I understand it's intentional, and I wish they had used more songs from "Brat", considering how heavily they seemed to rely on the album and Brat Summer in promoting this film.
Ps. A lot of cameos and famous people are featured here, have fun recognizing them all!
Pps. I'm including here Charli's portrait I did a while ago and posted on my Instagram account @the_moustached_designer

Cast: Charli XCX, Rosanna Arquette, Kate Berlant, Jamie Demetriou, Hailey Benton Gates, Isaac Powell, Kylie Jenner, Rachel Sennott, Arielle Dombasle, Julia Fox, Alexander Skarsgård.
Box Office: $5 million
Worth a watch?: Not a film I would necessarily rewatch, but I'm glad I saw it in the cinema rather than at home, because it's one of those movies that is better experienced on the big screen, with a proper Dolby Surround sound system. It's a whole experience, and it really overwhelms you at the beginning. The story captures Charli's mental state well, and the film translates it into images that affect you whether you want it to or not. Some bits are funny, others do a good job of highlighting how surreal the music business can be—how everything can be turned into money and what people are willing to do to please the crowd, reach a bigger audience, and stay culturally relevant. There's definitely a lot of good intentions in this movie, but maybe too many ideas for just one project.
Awards: /
Key word: Concert.

Trailer
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venerdì 23 aprile 2021

Film 1987 - Uncut Gems

Intro: Nuovo appuntamento cinematografico per il corso di sceneggiatura, questa volta un film che avrei recuperare tempo fa, ma non ero mai riuscito a vedere.
Film 1987: "Uncut Gems" (2019) di Benny Safdie, Josh Safdie
Visto: dal computer portatile
Lingua: inglese
Compagnia: nessuno
In sintesi: del capolavoro "Uncut Gems" di cui avevo tanto sentito parlare non ho ritrovato molto in questa mia visione del film che ha riportato Adam Sandler sui radar dell'industria cinematografica che conta. Non che il film sia terribile, semplicemente non è il mio genere.
Sopratutto perché - è bene che lo sappiate fin da subito - la sceneggiatura non prevede un momento di silenzio che sia uno. Dialogo costante. Fiumi di parole, come direbbero i Jalisse. E, a dire il vero, anche una montagna di stress, dall'inizio alla fine.
E a proposito del finale, va detto che dopo due ore piene piene di grida, schiamazzi, parole, parolacce, gioielli, criminali, bagagliai e basketball, il colpo di scena che la storia ha in serbo per lo spettatore è qualcosa di esplosivo. Inaspettato, scioccante ed estremamente soddisfacente (dopo che ha razionalizzato). Anche se, per quanto mi riguarda, il buon finale non ripaga delle due precedenti ore di mal di testa che il resto del film è capace di suscitare. Poi, va detto anche questo, supponendo che uno degli scopi di questa produzione fosse suscitare ansia e stress nello spettatore (sì sì, io dico di sì), la missione è ampiamente compiuta.
Ora, come sempre, qualche pensiero dal mio taccuino universitario:

Howard (Sandler) is the protagonist. He wants to sell the rock with all the gems so he can get enough money to repay his debts and become rich. 
Against his goal: himself, since he is a compulvie gambler (he gambles the money he doesn't have on new gambles) and all the people that want their money back and are looking for him.

Cast: Adam Sandler, Lakeith Stanfield, Julia Fox, Kevin Garnett, Idina Menzel, Eric Bogosian, The Weeknd, Judd Hirsch.
Box Office: $50 milioni
Vale o non vale: Mi ha fatto venire il mal di testa e ho dovuto prendermi delle pause durante la visione a causa del costante rumore, dialogo e frenesia della trama. Scegliete voi se ne valga la pena.
Premi: Adam Sandler è stato candidato al Razzie Redeemer Award, ma ha perso contro Eddie Murphy per "Dolemite Is My Name".
Parola chiave: Black opal.

Trailer
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