Visualizzazione post con etichetta Music. Mostra tutti i post
Visualizzazione post con etichetta Music. Mostra tutti i post

martedì 15 settembre 2026

Film 2495 - The Invite

Intro: There was good buzz around this film and I was really curious to see for myself if it was worth the watch.

Film 2495
: "The Invite" (2025), directed by Olivia Wilde
Watched: At the movies
Language: English
Watched with: Niamh, Debbi
Thoughts: "The Invite" is a very interesting film, especially in the current cinematic landscape. And it's even more interesting that it managed to become so successful, considering I would consider this quite the niche film rather than a mainstream one. Instead, it managed to do well at the box office (on a $15 million production budget) and gather Oscar buzz this early in the year.
What caught my attention the most is how intimate this movie feels, to the point that I thought its story was taken from a play. There are only four characters, basically just one location we never get to escape, a dialogue-heavy script, and themes that are mainly ordinary and close to what would be any adult's life nowadays. Instead, this is actually the English-language remake of the 2020 Spanish film "Sentimental" by Cesc Gay.
Because of its theatrical vibe and remake essence, this film inherently reminds me of these other two: "Carnage" -- based on the play "Le Dieu du carnage" by Yasmina Reza -- and "Perfetti sconosciuti" -- in 2024 recognised as the most remade film by Guinness World Records, with productions in 24 different languages.
All three of these movies share similar qualities and themes: the confined space, limited characters and a story that revolves around couples, their relationships, struggles and secrets. Additionally, they all share a very specific tone: the story starts slowly in what would be an everyday life situation and gradually (and brutally) escalates, eventually peaking in some sort of explosive truth that shakes the couples to their core.
In this specific instance, "The Invite" leans more towards comedy than drama, which I appreciated. I especially enjoyed this because I don't think many would have expected Olivia Wilde and Penélope Cruz to be such a perfect fit for a story like this. To me, they are the true stars -- I can't call them revelations, as we all know how amazing and talented these ladies are -- of this film. It's true I'm drawn to strong female characters, but here I think they really outshine their male counterparts. Don't get me wrong, both Seth Rogen and Edward Norton do a great job, but I think the ladies really ate their parts. The sexual tension Cruz is able to bring to life between her and literally any other character is insane, and I never would have expected to see her in such a sexually charged role. On the other hand, Wilde portrays her character with such tension. There's a nervousness about her, an uneasiness that makes you feel the same way while you watch the story unfold. It's nerve-wracking, but it serves the character so well, especially opposite Cruz.
On top of a great performance, Wilde also directed the movie. This is not her first endeavour, but possibly her best one so far. I always find it commendable when a director succeeds in finding a way to tell a story that is spatially limited to a sole location. It would be so easy for the story to fail and for it to be visually presented in such a boring way that it would turn the audience away. Instead, Wilde's vision is extremely aware of the spaces and camera angles and never shies away from the actors' faces, keeping you constantly (and emotionally) engaged.
Overall, I really enjoyed "The Invite". I think it's a refreshing example of how smaller movies can feel big and engaging and entertain the hell out of you.
Cast: Seth Rogen, Olivia Wilde, Penélope Cruz, Edward Norton.
Box Office: $55.6 million
Worth a watch?: I really liked it. The actors are perfectly cast, the story is interesting and has enough crazy twists to keep you entertained and engaged. It's the perfect movie for a movie night that doesn't require bombastic entertainment, but rather something more adult-themed (there's a lot of sex talk indeed). If you liked "Carnage" or "Perfetti sconosciuti" (here's my personal deep dive on this unexpected Italian sensation), you can't miss this film.
Awards: /
Key word: Sex party.

Trailer
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giovedì 16 aprile 2026

Film 2446 - The Moment

Intro: Last Friday evening in Dublin before the two-week break in Fuerteventura, Spain. And we couldn't leave Ireland without going to the movies to catch this one!

Film 2446
: "The Moment" (2026), Aidan Zamiri
Watched: At the movies
Language: English
Watched with: Niamh, Debbi, Rachel
Thoughts: I famously hate extremely loud movies, but this one I didn't mind too much. It gave me anxiety, yes, but I still enjoyed the ride.
I think the main selling point for me is Charli XCX: she's very entertaining and surprisingly good here. I know she's playing herself, so obviously it's a bit easier than playing a character from scratch, but she comes across as genuine and authentic, not forced, still able to channel that "Brat" energy even though Brat Summer ended a while ago now. Which brings me to my next point.
"Brat" came out on June 7, 2024. Brat Summer was "over" in September 2024, but then it experienced a resurgence after Charli's 2025 Coachella Valley Music and Arts Festival performance. I went to see Charli perform here in Dublin on June 17, 2025, and Brat Summer was still very much alive. So my question is: why wait until the beginning of 2026 to release this movie in theaters?
"The Moment" and Emerald Fennell's "Wuthering Heights" came out at the same time and, from a marketing perspective, it's a strange move. This movie is clearly connected to the album "Brat": they share the same art style and visuals, and although this is a mockumentary that aims to make fun of Brat Summer and its cultural impact, it heavily features "Brat", the tour, Charli's life, and the media attention around her. On the other hand, "Wuthering Heights" is directly connected to Charli's subsequent eponymous soundtrack album that she created for the film. And with the release of the first singles from the album, "House" and "Chains of Love", it seemed clear that Charli had entered a new era—even if it's currently tied to a film (a new album is apparently on the way).
In this sense, A24's "The Moment" feels a little bit too late. It should have come out earlier to link it more directly to "Brat" and make better use of the cultural phenomenon that Brat Summer proved to be. I'm not surprised that this movie didn't make a big splash at the box office: not only it came out to leat, but also it's a mockumentary and it's tied to an artist who is hugely famous, yes, but not everyone's cup of tea. Not to mention that the beef with Taylor Swift might have had an impact on whether people decided to give this film a go or not.
Anyway, I enjoyed "The Moment" enough, although it wasn't what I expected. I found some moments funny—like when the whole tour starts very "Brat" and ends up becoming a sellout version of itself, or when Charli tries to pay with the Brat card but it doesn't actually work—and I appreciated how committed she was to this project. I didn't enjoy how stressed the story and editing made me feel, but I understand it's intentional, and I wish they had used more songs from "Brat", considering how heavily they seemed to rely on the album and Brat Summer in promoting this film.
Ps. A lot of cameos and famous people are featured here, have fun recognizing them all!
Pps. I'm including here Charli's portrait I did a while ago and posted on my Instagram account @the_moustached_designer

Cast: Charli XCX, Rosanna Arquette, Kate Berlant, Jamie Demetriou, Hailey Benton Gates, Isaac Powell, Kylie Jenner, Rachel Sennott, Arielle Dombasle, Julia Fox, Alexander Skarsgård.
Box Office: $5 million
Worth a watch?: Not a film I would necessarily rewatch, but I'm glad I saw it in the cinema rather than at home, because it's one of those movies that is better experienced on the big screen, with a proper Dolby Surround sound system. It's a whole experience, and it really overwhelms you at the beginning. The story captures Charli's mental state well, and the film translates it into images that affect you whether you want it to or not. Some bits are funny, others do a good job of highlighting how surreal the music business can be—how everything can be turned into money and what people are willing to do to please the crowd, reach a bigger audience, and stay culturally relevant. There's definitely a lot of good intentions in this movie, but maybe too many ideas for just one project.
Awards: /
Key word: Concert.

Trailer
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sabato 4 aprile 2026

Film 2440 - The History of Sound

Intro: I'll be honest, I wasn't necessarily feeling the fantasy for this one, but I decided to give it a go considering it was Paul Mescal and Josh O'Connor together in a gay romance... But God knows I've been fooled before.

Film 2440
: "The History of Sound" (2025), Oliver Hermanus
Watched: At the movies
Language: English
Watched with: Niamh
Thoughts: Possibly one of the most boring movies I've seen in my life. And not just boring—pretentious boring. I hate when I'm promised something that isn't delivered: a gay romance? Barely. History of sound? What history? This film is more than 2 hours long and almost nothing happens. The two fellas fall in love and fuck for a while, then go their separate ways, make lives for themselves, and eventually find their way to "reconnect." The lies come out, life gets harsher, everything gets complicated, boom—we're in the present and saying goodbye. Fine. Fine. The End. I cannot describe how disappointed I was in this film. You feel no connection to the characters, the story feels very episodic and at times disjointed, and you learn almost nothing about music and the history of American folk songs. Which is so strange, considering a) it's in the title of the movie and b) the first part of the story is all about David's obsession with these songs... I also want to stress as much as possible how much this isn't a gay love story. The characters just happen to be two men falling for each other, and that's it. Both Paul Mescal and Josh O'Connor fooled me once already with their gay-bait movies "All of Us Strangers" and "Challengers," so I guess this is the straw that broke the camel's back.
Cast: Paul Mescal, Josh O'Connor, Molly Price, Raphael Sbarge, Emma Canning, Alessandro Bedetti, Chris Cooper.
Box Office: $1 million
Worth a watch?: It feels less like a movie and more like an award-friendly vehicle, if that makes sense. I can see a world where "The History of Sound" is a good movie—interesting and well made. The version we have in this part of the multiverse, though, is just pretty to look at but empty, with not much to say. Which is quite disappointing.
Awards: In competition at the 2025 Cannes Film Festival.
Key word: Cylinders.

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Bengi

domenica 3 agosto 2025

Film 2377 - Sinners

Intro: Probably one of the cinematic event of the year, Niamh went to see it and liked it so much she wanted to bring me as well. And off we went, of course.

Film 2377
: "Sinners" (2025), Ryan Coogler
Watched on: At the movies
Language: English
Watched with: Niamh
Thoughts: One of the most interesting movies I've seen so far this year: what a ride.
Although I have to admit the story takes its time to get to the juicy part, it definitely is a good ride. Yes, the first hour sees no vampire showing up whatsoever - and for a second there I was starting to think we were never getting there - but once things start to happen and everything gets in motion, it is a pleasure to watch. One of the highlights for me (watching this mvovie in Ireland) was the "Rocky Road to Dublin" musical number: very unexpected, extremely well executed and somehow perfectly fitting in the story.
The cast is solid, I'm a sucker for Michael B. Jordan (with whom I share my birthday Feb. 9, 1987) and he's great here, as usual. I wish Hollywood would give him more chances like this one and, to be honest, more awards. Wunmi Mosaku was a marvellous surprise, she's a scene stealer. I saw her before in "His House" and "Loki" and she's so magnetic you can't take your eyes off of her. Happy to see Hailee Steinfeld in something new for her, she's so talented, but she needs more projects like this one.
Overall, an amazing cinematic experience.
Film 2377 - Sinners
Film 2474 - Sinners
Cast: Michael B. Jordan, Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, Delroy Lindo.
Box Office: $365.9 million
Worth a watch?: It takes a moment to get to the horror bits (the movie is 137 minutes long), but once it gets there there's no turning back. Not your usual Hollywood scary movie, but a well made, constructed and narrated story, with an amazing cast and stunning visuals. I hope it gets its flowers at the Oscars (but the ceremony is still so far away...).
Awards: /
Key word: Juke joint.

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venerdì 21 marzo 2025

Film 2354 - A Complete Unknown

Intro: Getting ready for the Oscars means to watch as many nominated movies as possible. And this year we were very committed.

Film 2354
: "A Complete Unknown" (2024), James Mangold
Watched on: At the movies
Language: English
Watched with: Niamh, Debbi, Elias
Thoughts: Biopics can be a hit or a miss, but I have to admit I enjoyed this movie enough. I say enough not because "A Complete Unknown" isn't a good movie - au contraire - but mainly because I don't know Bob Dylan's music that much and. And considering this is both a biopic AND a musical, not knowing any of the songs didn't help.
Again, I don't know Dylan's story, so I can only judge what I saw here, which isn't that pretty at times: it seems like the famous singer was a bit of a prick here and there (I mean, we all are in our own different ways) and I wasn't expecting to witness this side of him. His relationship with the two main female lead here isn't great, there's a lot of cheating and putting himself (and his music) first in the name of greatness.
That said, I particularly enjoyed the actors' performances. Timothée Chalamet really is one of the greatest (see his SAG speach which brought him so much controversy) and Monica Barbaro is phenomenal playing Joan Baez. Extremely well deserved Oscar noms for these two. I admit I was rooting for Chalamet to win. Althought this isn't my favourite movie by any means, of the 5 nominated performances (I watched only 4 so far), his was the one that impressed me the most.
Overall I liked "A Complete Unknown", not necessarily a movie that fits what I'm usually looking for in a film, still I enjoyed the watch.
Ps. It's silly, I know, but once you notice Chalamet's nails you can't unsee them.
Cast: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Scoot McNairy.
Box Office: $132 million
Worth a watch?: Bob Dylan's fans should really enjoy this movie. Not my favourite biopic or musical, but still a good film. Similar titles would be "Walk the Line" and Ray". For something a bit more fast-paced, "Dreamgirls", "8 Mile", "Elvis", "Better Man", "Rocketman" or "Judy".
Awards: Nominated for 8 Oscars for Best Picture, Director, Lead Actor (Chalamet), Supporting Actress (Barbaro), Supporting Actor (Norton), Adapted Screenplay, Sound, and Costume Design. 6 BAFTA nominations for Best Film, Actor in a Leading Role (Chalamet), Actor in a Supporting Role (Norton), Adapted Screenplay, Casting, and Costume Design. 3 Golden Globe noms in the Drama category for Best Picture, Best Actor (Chalamet), and Supporting Actor (Norton).
Key word: Folk.

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venerdì 12 marzo 2021

Razzie Awards 2021: nomination e vincitori

Dovevano essere rivelate domenica e, invece, sono uscite oggi le nomination per i Razzie Awards di quest'anno. E, diciamocelo pure, mai come quest'anno c'è stata abbondanza di pessima qualità cinematografica. 

Curiosamente, comunque, mai come quest'anno i Razzie "onorano" i Golden Globes candidando non pochi titoli o performance a cui l'HFPA questa edizione ha riconosciuto una nomination: "Music" e Kate Hudson, Glenn Close per "Hillbilly Elegy" e Maria Bakalova per il secondo "Borat" (anche se nel suo caso è evidente che la nomination nella categoria Worst Screen Combo sia dovuta principalmente alla presenza di Rudy Giuliani).

Con le nomination agli Oscar a un tiro di schioppo (saranno annunciate questo lunedì), l'annuncio di oggi dei Razzies ci ricorda che siamo davvero agli sgoccioli di quest'anno terribile per le cerimonie di premiazione.
I Razzie Awards si terranno il 24 aprile, come da tradizione un giorno prima degli Academy Awards. 

41st Golden Raspberry Awards 

Worst Picture
365 Days
Absolute Proof
Dolittle
Fantasy Island
Music

Worst Actor
Robert Downey, Jr. - Dolittle
Mike Lindell (The “My Pillow” Guy) - Absolute Proof
Michele Morrone - 365 Days
Adam Sandler - Hubie Halloween
David Spade - The Wrong Missy

Worst Actress
Anne Hathaway - The Last Thing He Wanted AND Roald Dahl's The Witches
Katie Holmes - Brahms: The Boy II AND The Secret: Dare to Dream
Kate Hudson – Music
Lauren Lapkus - The Wrong Missy
Anna-Maria Sieklucka - 365 Days

Worst Supporting Actor 
Chevy Chase - The Very Excellent Mr. Dundee 
Rudy Giuliani (As "Himself") - Borat, Subsequent Movie-Film 
Shia LeBeouf - The Tax Collector 
Arnold Schwarzeneggar - Iron Mask 
Bruce Willis - Breach, Hard Kill AND Survive the Night 

Worst Supporting Actress
Glenn Close - Hillbilly Elegy
Lucy Hale - Fantasy Island
Maggie Q - Fantasy Island
Kristen Wiig - Wonder Woman 1984
Maddie Ziegler - Music

Worst Screen Combo
Rudy Giuliani and his pants zipper – Borat Subsequent Moviefilm
Robert Downey Jr. & His Utterly Unconvincing "Welsh" Accent – Dolittle
Harrison Ford & That Totally Fake-Looking CGI “Dog” – Call of the Wild
Lauren Lapkus & David Spade - The Wrong Missy
Adam Sandler & His Grating Simpleton Voice - Hubie Halloween

Worst Director
Charles Band - All 3 Barbie & Kendra movies
Barbara Bialowas & Tomasz Mandes - 365 Days
Stephen Gaghan – Dolittle
Ron Howard - Hillbilly Elegy
Sia – Music

Worst Screenplay
365 Days
All 3 Barbie & Kendra movies (Corona Zombies, Barbie & Kendra Save the Tiger King and Barbie & Kendra Storm Area 51)
Dolittle
Fantasy Island
Hillbilly Elegy

Worst Remake, Rip-off or Sequel
365 Days (Polish Remake/Rip-Off of Fifty Shades of Grey)
Dolittle (Remake)
Fantasy Island (Remake/”Re-Imagining”)
Hubie Halloween (Remake/Rip-Off of Ernest Scared Stupid)
Wonder Woman 1984 (Sequel)


Special Governors' Award for The Worst Calendar Year EVER!
2020

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