Visualizzazione post con etichetta pregnancy. Mostra tutti i post
Visualizzazione post con etichetta pregnancy. Mostra tutti i post

lunedì 28 settembre 2026

Film 2501 - Exit 8

Intro: The horror saga continues, and Niamh and I watched a second movie on the couch after "Leviticus" didn't leave us fully satisfied.

Film 2501
: "Exit 8" (2025), directed by Genki Kawamura
Watched: From the projector
Language: Japanese
Watched with: Niamh
Thoughts: If I hadn't read the synopsis on Wikipedia, I'm not sure how much of this movie I'd have remembered. This isn't to say that I didn't enjoy "Exit 8", but its repetitive nature and lack of major plot points until the end of the story kind of erased the plot bits that aren't repeated over and over.
That said, I think "Exit 8" is a perfectly fine film, visually interesting and simple enough to follow, although personally I wouldn't call this a horror movie, but rather a psychological mystery film with some thriller elements and a scare or two along the way.
I didn't know anything about the game this is based on -- "The Exit 8", a 2023 indie adventure game developed and published by Kotake Create -- and I went in without knowing what to expect. The only reference I had that I could compare this movie to was "Iron Lung", as these two films share a similar starting point: they're based on video games I've never heard of, they're not major studio productions, they have confined settings and claustrophobic elements, and there's a repetitiveness to the plot.
Based on what I saw and my experience of both films, I have to admit "Exit 8" is more my vibe. I'm not saying it's a movie I would watch again, but at least it feels like a fully fleshed-out and realised film, competently made and with an obviously higher budget (I couldn't find a source for how much this film cost to produce, tho). And I know the comparison isn't necessarily fair, but my brain inevitably went there.
All in all, "Exit 8" was an interesting watch: I liked the visuals, the segment that focused solely on the kid was my favourite -- the child actor is really good -- and the idea behind the story is fascinating enough to carry the whole movie through. But after the first few times you witness the same elements happening, you start to lose focus a bit and, especially towards the middle section of the story, the lack of progression makes the story feel heavier and slower. When it eventually catches up, things get interesting again.
So, yeah, I don't regret watching it, but considering I was looking forward to watching a horror movie, this was definitely not it.
Cast: Kazunari Ninomiya, Yamato Kochi, Naru Asanuma, Kotone Hanase, Nana Komatsu.
Box Office: $44 million
Worth a watch?: I remember watching the trailer for the first time and being quite intrigued. The story of a man who is caught in a looping subway corridor definitely tickles my curiosity + the reviews were really good.
Now, I'm not saying "Exit 8" is bad, but it's definitely not a mind-blowing experience as they try to sell it to you. It's a perfectly fine psychological film with mystery and horror elements that also happens to be based on a popular video game. I never played the game, so I'm of no use there, but as a movie watcher, I can say I enjoyed this film enough, but I wouldn't say it's a must-watch.
Awards: It won Best Poster Design at the 2025 Cannes Film Festival.
Key word: Anomaly.

Trailer
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martedì 5 maggio 2026

Film 2454 - Wuthering Heights

Intro: Straight to the movies again, this time to watch the talk of the Winter season.

Film 2454
: "Wuthering Heights" (2025), Emerald Fennell
Watched: At the movies
Language: English
Watched with: Niamh, Debbi
Thoughts: I love "Promising Young Woman", and I like the boldness of "Saltburn", so I came into this with a naive sense of tranquility. I mean, the reviews weren't spectacular, but considering the many 'controversies' regarding the costumes, the quotation marks, and the actors (two Australians playing British characters), I thought it was more of a PR stunt than an actual issue with the movie. Boy, was I wrong.
I'll be completely honest: I really didn't like this movie. Not from an aesthetic point of view, nor from a purely plot standpoint. I thought it was mostly boring and visually daring just for the sake of it, which is never good.
The costumes didn't make sense to me. I appreciate when a movie goes bold and switches things up visually, but here it all seemed geared toward shock value rather than a genuine stylistic choice. Also—and this is just my personal opinion—I didn't like the costumes per se; they felt like a mix-and-match, not particularly inspired. It seemed like they decided early on that the movie should be daring and provocative, but when it came time to actually plan and execute it, the whole vision fell apart and they had to save face somehow.
Same issue with the interior design: it looks interesting from afar, but the moment you start focusing on the details, things stop making sense—especially in combination with the costumes.
Additionally, Margot Robbie and Jacob Elordi didn't do it for me. Their accents are all over the place and seem to change from scene to scene.
Personally, I didn't enjoy the plot much either. I was never a fan of the novel, if I'm being honest, so there's definitely some bias on my part.
All in all, I was very disappointed with this movie. It could have been such a cool project; instead, it's a messy patchwork that never fully comes together.
Cast: Margot Robbie, Jacob Elordi, Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, Ewan Mitchell, Owen Cooper.
Box Office: $242 million
Worth a watch?: If you're a fan of Fennell's work, I think you should still watch this. I didn't like it, but this is clearly a very personal interpretation of the story and another entry in her filmography that shouldn't be missed. Personally, I would have preferred a bit more Charli XCX.
Awards: /
Key word: Wedding.

Trailer
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lunedì 2 marzo 2026

Film 2420 - Shelby Oaks

Intro: I didn't want to see this movie and only agreed because I thought it was a different film... and I only realized it once the show started.

Film 2420
: "Shelby Oaks" (2024), Chris Stuckmann
Watched: At the movies
Language: English
Watched with: Niamh, Debbi
Thoughts: The movie equivalent of a scam. One of the worst movies I've watched this year.
It's trying to channel "The Blair Witch Project" so hard that it's annoying to watch the story unfold. It's cliché after cliché and adds nothing to the horror genre.
Cast: Camille Sullivan, Brendan Sexton III, Keith David, Sarah Durn, Derek Mears, Emily Bennett, Charlie Talbert, Robin Bartlett, Michael Beach.
Box Office: $6.6 million
Worth a watch?: I really didn't like it. Forgettable — personally, I wouldn't waste my time.
Awards: /
Key word: Broken glass.

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venerdì 16 gennaio 2026

Film 2429 - Marty Supreme

Intro: I had really high expectations for this one, considering the stellar reviews, crazy marketing campaign, Oscar buzz and yeah, its protagonist.

Film 2429
: "Marty Supreme" (2025), Josh Safdie
Watched: At the movies
Language: English
Watched with: Niamh
Thoughts: I didn’t realize this movie shares its director with “Uncut Gems,” one of the most stressful movies I’ve ever watched. And “Marty Supreme” isn’t a walk in the park either.
I can’t really say that I loved it, to be honest, but I liked it enough for a number of reasons. It’s not my kind of movie: it’s so loud and fast-paced, and at times so intense and stressful, that I couldn’t fully enjoy it. This experience wasn’t as extreme as the “Uncut Gems” one, but it still affected (or tainted) my overall perception of the movie. That said, I did appreciate Timothée Chalamet’s performance — which I think could win him his first Oscar — and I love that Fran Drescher is finally back to acting. Overall, though, the standout performance for me was Odessa A’zion’s: she’s extremely talented, and her time in this movie proves it. I also appreciated the set pieces; I think the overall vibe and atmosphere were well built and convincingly recreated. Some really interesting music choices are included as well and, although not historically accurate, they really work.
Overall, I didn’t like it as much as I would have loved to, but I don’t regret committing to this two-and-a-half-hour movie.
P.S. The conceiving scene at the beginning reminded me of the movie “Look Who’s Talking”.
Cast: Timothée Chalamet, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, Sandra Bernhard, Fred Hechinger, Fran Drescher.
Box Office: $79.5 million (so far)
Worth a watch?: If you’re a fan of Timothée, Josh Safdie’s filmmaking style, or the yearly award-season race in general, this movie is hard to miss. I was hoping for a more traditional biopic-style execution and less narrative craziness, but it’s as entertaining as it is stressful at times. It’s also a bit odd to see Timothée and Gwyneth Paltrow in sex scenes — but it is what it is.
Awards: Nominated for 3 Golden Globes for Best Motion Picture – Musical or Comedy and Best Screenplay, it won Best Actor in a Motion Picture – Musical or Comedy (Timothée Chalamet). 3 nominations at the upcoming 2026 Actor Awards: Outstanding Performance by a Cast in a Motion Picture, Outstanding Performance by a Male Actor in a Leading Role (Chalamet), Outstanding Performance by a Female Actor in a Supporting Role (Odessa A'zion).
Key word: Table tennis.

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