Visualizzazione post con etichetta The Substance. Mostra tutti i post
Visualizzazione post con etichetta The Substance. Mostra tutti i post

mercoledì 26 febbraio 2025

Film 2349 - The Substance

Intro: I wan't sure about rewatching this movie already, but Michael really wanted to watch it and, to be fair, I couldn't say no. Because, after all, this was one of my favourite movies from last year.

Film 2349
: "The Substance" (2024), Coralie Fargeat
Watched on: From the TV
Language: English
Watched with: Michael
Thoughts: I'm honestly so glad I rewatched this. I think the first time around "The Substance" was more an experience, rather than a film. I remembered I felt I was going through a rollercoaster during my first watch at the movies, but this time I knew what to expect and, in a way, I focused more on other aspects of this wild ride.
First, I paid more attention to Margaret Qualley's performance: she was definitely deserving of an Oscar nomination. Maybe not a win, but her role is iconic and there's no Elisabeth Sparkle without Sue. Remember: they are one.
Second, I paid more attention to the soundtrack and the visuals in general. I think "The Substance" does an amazing job at defyining itself through images and sound, not just the performances. It features a lot of ommages to other films, probably the easiest one to spot is "The Shining". Visually it's an extremely interesting movie, the colours are so bright and the music makes them feel even more "alive".
Thirdly, I reconsidered some of my previous concerns regarding the ending - there's a lot of "Carrie" in that live Christmas special - and although gruesome and gory, it really fits this story, complementing a crazy, wild ride in a way that is so unexpected as it is overwhelming at first. On a second watch, knowing what's about to happen, you focus less on the shock of what you're witnessing and more on the absurdity that is to put your life at risk to fulfill a (male) fantasy and pursue fame at all costs.
Film 2312 - The Substance
Film 2349 - The Substance
Cast: Demi Moore, Margaret Qualley, Dennis Quaid.
Box Office: $77.1 million
Worth a watch?: Definitely not a movie for the general crowd, but an interesting and challenging movie nonetheless. On my second watch I loved it even more: Demi Moore needs to win that Oscar now. We'll see on Sunday what happens, but after her win at SAG last Sunday, it looks like she might have the support to achieve this amazing feat. What a journey for her. #TeamDemi
Awards: 5 Oscars nomination for Best Picture, Director, Actress, Original Screenplay, and Makeup and Hairstyling. 1 BAFTA win for Best Make Up & Hair out of 5 nominations (Director, Actress in a Leading Role, Original Screenplay, and Sound). 1 win at the Golden Globes for Best Actress in a Motion Picture – Musical or Comedy (Moore) out of 5 noms (Film, Director, Supporting Actress, Screenplay). The movie is currently nominated for Best Foreign Film at this year's César Awards.
Key word: Christmas Show.

Trailer
#HollywoodCiak
Bengi

giovedì 23 gennaio 2025

Oscars 2025: Nominees & Winners

The 97th Academy Awards ceremony, will take place on March 2, 2025, at the Dolby Theatre in Hollywood, Los Angeles. Comedian and podcaster Conan O'Brien is set to host the show for the first time. 

97th Academy Awards

Best Picture
“Anora,” (Neon) Alex Coco, Samantha Quan and Sean Baker, Producers
“The Brutalist” (A24)
“A Complete Unknown” (Searchlight) Fred Berger, James Mangold and Alex Heineman, Producers
“Conclave” (Focus Features) Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
“Dune: Part Two” (Warner Bros.) Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
“Emilia Pérez” (Netflix)
“I’m Still Here” (Sony Pictures Classic)
“Nickel Boys” (Orion Pictures/Amazon MGM Studios)
“The Substance” (MUBI)
“Wicked” (Universal) Marc Platt, Producer

Best Director
Sean Baker, “Anora”
Brady Corbet “The Brutalist”
James Mangold, “A Complete Unknown”
Jacques Audiard, “Emilia Pérez”
Coralie Fargeat, “The Substance”

Best Actress
Cynthia Erivo, “Wicked”
Karla Sofía Gascón, “Emilia Pérez”
Mikey Madison, “Anora”
Demi Moore, “The Substance”
Fernanda Torres, “I’m Still Here”

Best Actor
Adrien Brody, “The Brutalist”
Timothée Chalamet, “A Complete Unknown”
Colman Domingo, “Sing Sing”
Ralph Fiennes, “Conclave”
Sebastian Stan, “The Apprentice”

Best Supporting Actress
Monica Barbaro, “A Complete Unknown”
Ariana Grande, “Wicked”
Felicity Jones, “The Brutalist”
Isabella Rossellini, “Conclave”
Zoe Saldaña, “Emilia Pérez”

Best Supporting Actor
Yura Borisov, “Anora”
Kieran Culkin, “A Real Pain”
Edward Norton, “A Complete Unknown”
Guy Pearce, “The Brutalist”
Jeremy Strong, “The Apprentice”

Best International Feature Film
“I’m Still Here,” Brazil 
“The Girl with the Needle,” Denmark 
“Emilia Pérez,” France  
“The Seed of the Sacred Fig,” Germany  
“Flow,” Latvia

Best Animated Feature
“Flow” (Sideshow/Janus Films)
“Inside Out 2” (Walt Disney) Kelsey Mann and Mark Nielsen
“Memoir of a Snail” (IFC Films) Adam Elliot and Liz Kearney
“Wallace & Gromit: Vengeance Most Fowl” (Netflix)
“The Wild Robot” (Universal) Chris Sanders and Jeff Hermann

Best Adapted Screenplay
“A Complete Unknown”, Screenplay by James Mangold and Jay Cocks
“Conclave,” Screenplay by Peter Straughan
“Emilia Pérez,” Screenplay by Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” Screenplay by RaMell Ross & Joslyn Barnes
“Sing Sing,” Screenplay by Clint Bentley, Greg Kwedar, Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Best Original Screenplay
“Anora,” Written by Sean Baker
“The Brutalist,” Written by Brady Corbet, Mona Fastvold
“A Real Pain,” Written by Jesse Eisenberg
“September 5,” Written by Moritz Binder, Tim Fehlbaum, Co-Written by Alex David
“The Substance,” Written by Coralie Fargeat

Best Documentary Feature Film 
“Black Box Diaries” (MTV Documentary Films) Shiori Ito, Eric Nyari and Hanna Aqvilin
“No Other Land,” Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
“Porcelain War” (Picturehouse) Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
“Soundtrack to a Coup d’Etat” (Kino Lorber) Johan Grimonprez, Daan Milius and Rémi Grellety
“Sugarcane” (National Geographic Documentary Films)

Best Costume Design
“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell

Best Makeup and Hairstyling
“A Different Man,” Mike Marino, David Presto and Crystal Jurado
“Emilia Pérez,” Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
“Nosferatu,” David White, Traci Loader and Suzanne StokesMunton
“The Substance,” Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
“Wicked,” Frances Hannon, Laura Blount and Sarah Nuth

Best Cinematography
“The Brutalist,” Lol Crawley  
“Dune: Part Two,” Greig Fraser 
“Emilia Pérez,” Paul Guilhaume  
“Maria,” Ed Lachman  
“Nosferatu,” Jarin Blaschke 

Best Film Editing
“Anora” Sean Baker
“The Brutalist” David Jancso
“Conclave” Nick Emerson 
“Emilia Pérez” Juliette Welfling
“Wicked” Myron Kerstein 

Best Production Design
“The Brutalist,” Production Design: Judy Becker, Set Decoration: Patricia Cuccia
“Conclave,” Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter
“Dune: Part Two,” Production Design: Patrice Vermette, Set Decoration: Shane Vieau
“Nosferatu,” Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová
“Wicked,” Production Design: Nathan Crowley, Set Decoration: Lee Sandales

Best Original Score
“The Brutalist,” Daniel Blumberg
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song
“El Mal” from “Emilia Pérez,” Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from “The Six Triple Eight,” Music and Lyric by Diane Warren
“Like a Bird” from “Sing Sing,” Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from “Emilia Pérez,” Music and Lyric by Camille and Clément Ducol
“Never Too Late” from “Elton John: Never Too Late,” Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Best Sound
“A Complete Unknown,” Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
“Dune: Part Two,” Gareth John, Richard King, Ron Bartlett and Doug Hemphill
“Emilia Perez,” Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
“Wicked,” Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
“The Wild Robot,” Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Best Visual Effects
“Alien: Romulus,” Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
“Better Man,” Luke Millar, David Clayton, Keith Herft and Peter Stubbs
“Dune: Part Two,” Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
“Kingdom of the Planet of the Apes,” Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
“Wicked,” Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Best Documentary Short Film
“Death by Numbers” Kim A. Snyder and Janique L. Robillard
“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp
“Incident” (The New Yorker) Bill Morrison and Jamie Kalven
“Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari
“The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington

Animated Short Film
“Beautiful Men,” (Miyu Distribution) Nicolas Keppens and Brecht Van Elslande 
“In the Shadow of Cypress,” Shirin Sohani and Hossein Molayemi
“Magic Candies,” (Toei Animation) Daisuke Nishio and Takashi Washio
“Wander to Wonder,” (Miyu Distribution) Nina Gantz and Stienette Bosklopper
“Yuck!” (Miyu Distribution) Loïc Espuche and Juliette Marquet

Best Live Action Short Film
“A Lien,” Sam Cutler-Kreutz and David Cutler-Kreutz  
“Anuja,” Adam J. Graves and Suchitra Mattai  
“I’m Not a Robot” (The New Yorker) Victoria Warmerdam and Trent
“The Last Ranger,” Cindy Lee and Darwin Shaw  
“The Man Who Could Not Remain Silent” (Manifest) Nebojša Slijepčević and Danijel Pek

#HollywoodCiak
Bengi

mercoledì 15 gennaio 2025

BAFTAs 2025: nominees & winners

78th British Academy Film Awards

BEST FILM
“Anora” — Alex Coco, Samantha Quan, Sean Baker
“The Brutalist” — Brady Corbet, Mona Fastvold
“A Complete Unknown” — Fred Berger, Alex Heineman, James Mangold
“Conclave” — Tessa Ross, Juliette Howell, Michael A. Jackman
“Emilia Pérez” — Jacques Audiard, Pascal Caucheteux, Valerie Schermann, Anthony Vaccarello

OUTSTANDING BRITISH FILM
“Bird” — Andrea Arnold, Tessa Ross, Juliette Howell, Lee Groombridge
“Blitz” — Steve McQueen, Tim Bevan, Eric Fellner, Anita Overland
“Conclave” — Edward Berger, Tessa Ross, Juliette Howell, Michael A. Jackman, Peter Straughan
“Gladiator II” — Ridley Scott, Douglas Wick, Lucy Fisher, Michael Pruss, David Scarpa, Peter Craig
“Hard Truths” — Mike Leigh, Georgina Lowe
“Kneecap” — Rich Peppiatt, Trevor Birney, Jack Tarling, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, JJ Ó Dochartaigh
“Lee” — Ellen Kuras, Kate Solomon, Kate Winslet, Liz Hannah, Marion Hume, John Collee, Lem Dobbs
“Love Lies Bleeding” — Rose Glass, Andrea Cornwell, Oliver Kassman, Wereonika Tofilska
“The Outrun” — Nora Fingscheidt, Sarah Brocklehurst, Dominic Norris, Jack Lowden, Saoirse Ronan, Amy Liptrot
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek, Mark Burton

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
“Hoard” — Luna Carmoon (Director, writer)
“Kneecap” — Rich Peppiatt (Director, writer)
“Monkey Man” — Dev Patel (Director)
“Santosh” — Sandhya Suri (Director, writer), James Bowsher (Producer), Balthazar de Ganay (Producer), also produced by Alan McAlex, Mike Goodridge
“Sister Midnight” — Karan Kandhari (Director, writer)

FILM NOT IN THE ENGLISH LANGUAGE
“All We Imagine as Light” — Payal Kapadia, Thomas Hakim
“Emilia Pérez” — Jacques Audiard
“I’m Still Here” (“Ainda Estou Aqui”) — Walter Salles
“Kneecap” — Rich Peppiatt, Trevor Birney
“The Seed of the Sacred Fig” — Mohammad Rasoulof, Amin Sadraei

DOCUMENTARY
“Black Box Diaries” — Shiori Ito, Hanna Aqvilin, Eric Nyari
“Daughters” — Natalie Rae, Angela Patton
“No Other Land” — Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
“Super/Man: The Christopher Reeve Story” — Ian Bonhôte, Peter Ettedgui, Lizzie Gilliett, Robert Ford
“Will & Harper” — Josh Greenbaum, Rafael Marmor, Christopher Leggett, Will Ferrell, Jessica Elbaum

ANIMATED FILM
“Flow” — Gints Siibalodis, Matīss Kaža
“Inside Out 2” — Kelsey Mann, Mark Nielsen
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek
“The Wild Robot” — Chris Sanders, Jeff Hermann

CHILDREN’S & FAMILY FILM
“Flow” — Gints Siibalodis, Matīss Kaža
“Kensuke’s Kingdom” — Kirk Hendry, Neil Boyle, Camilla Deakin
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek
“The Wild Robot” — Chris Sanders, Jeff Hermann

DIRECTOR
“Anora” — Sean Baker
“The Brutalist” — Brady Corbet
“Conclave” — Edward Berger
“Dune: Part Two” — Denis Villeneuve
“Emilia Pérez” — Jacques Audiard
“The Substance” — Coralie Fargeat

ORIGINAL SCREENPLAY
“Anora” — written by Sean Baker
“The Brutalist” — written by Brady Corbet and Mona Fastvold
“Kneecap” — written by Rich Peppiatt, story by Rich Peppiatt, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, JJ Ó Dochartaigh
“A Real Pain” — written by Jesse Eisenberg
“The Substance” — written by Coralie Fargeat

ADAPTED SCREENPLAY
“A Complete Unknown” — screenplay by James Mangold and Jay Cocks
“Conclave” — screenplay by Peter Straughan
“Emilia Pérez” — screenplay by Jacques Audiard
“Nickel Boys” — screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing” — screenplay by Clint Bentley and Greg Kwedar, story by Clint Bentley, Greg Kwedar, Clarence ‘Divine Eye’ Maclin, John ‘Divine G’ Whitfield

LEADING ACTRESS
Cynthia Erivo, “Wicked”
Karla Sofía Gascón, “Emilia Pérez”
Marianne Jean-Baptiste, “Hard Truths”
Mikey Madison, “Anora”
Demi Moore, “The Substance”
Saoirse Ronan, “The Outrun”

LEADING ACTOR
Adrien Brody, “The Brutalist”
Timothée Chalamet, “A Complete Unknown”
Colman Domingo, “Sing Sing”
Ralph Fiennes, “Conclave”
Hugh Grant, “Heretic”
Sebastian Stan, “The Apprentice”

SUPPORTING ACTRESS
Selena Gomez, “Emilia Pérez”
Ariana Grande, “Wicked”
Felicity Jones, “The Brutalist”
Jamie Lee Curtis, “The Last Showgirl”
Isabella Rossellini, “Conclave”
Zoe Saldaña, “Emilia Pérez”

SUPPORTING ACTOR
Yura Borisov, “Anora”
Kieran Culkin, “A Real Pain”
Clarence Maclin, “Sing Sing”
Edward Norton, “A Complete Unknown”
Guy Pearce, “The Brutalist”
Jeremy Strong, “The Apprentice”

CASTING
“Anora” — Sean Baker, Samantha Quan
“The Apprentice” — Stephanie Gorin, Carmen Cuba
“A Complete Unknown” — Yesi Ramirez
“Conclave” — Nina Gold, Martin Ware
“Kneecap” — Carla Stronge

CINEMATOGRAPHY
“The Brutalist” — Lol Crawley
“Conclave” — Stéphane Fontaine
“Dune: Part Two” — Greig Fraser
“Emilia Pérez” — Paul Guilhaume
“Nosferatu” — Jarin Blaschke

EDITING
“Anora” — Sean Baker
“Conclave” — Nick Emerson
“Dune: Part Two” — Joe Walker
“Emilia Pérez”– Juliette Welfling
“Kneecap” — Julian Ulrichs, Chris Gill

COSTUME DESIGN
“Blitz” — Jacqueline Durran
“A Complete Unknown” — Arianne Phillips
“Conclave” — Lisy Christl
“Nosferatu” — Linda Muir
“Wicked” — Paul Tazewell

MAKE UP & HAIR
“Dune: Part Two” — Love Larson, Eva Von Bahr
“Emilia Pérez” — Julia Floch Carbonel, Emmanuel Janvier, Jean-Christophe Spadaccini, Romain Marietti
“Nosferatu” — David White, Traci Loader, Suzanne Stokes-Munton
“The Substance” — Pierre-Olivier Persin, Stéphanie Guillon, Frédérique Arguello, Marilyne Scarselli
“Wicked” — Frances Hannon, Laura Blount, Sarah Nuth

ORIGINAL SCORE
“The Brutalist” — Daniel Blumberg
“Conclave” — Volker Bertelmann
“Emilia Pérez” — Camille, Clément Ducol
“Nosferatu” — Robin Carolan
“The Wild Robot” — Kris Bowers

PRODUCTION DESIGN
“The Brutalist” — Judy Becker, Patricia Cuccia
“Conclave” — Suzie Davies, Cynthia Sleiter
“Dune: Part Two” — Patrice Vermette, Shane Vieau
“Nosferatu” — Craig Lathrop
“Wicked” — Nathan Crowley, Lee Sandales

SOUND
“Blitz” — John Casali, Paul Cotterell, James Harrison
“Dune: Part Two” — Ron Bartlett, Doug Hemphill, Gareth John, Richard King
“Gladiator II” — Stéphane Bucher, Matthew Collinge, Paul Massey Danny Sheehan
“The Substance” — Valérie Deloof, Victor Fleurant, Victor Praud, Stéphane Thiébaut, Emmanuelle Villard
“Wicked” — Robin Baynton, Simon Hayes, John Marquis, Andy Nelson, Nancy Nugent Title

SPECIAL VISUAL EFFECTS
“Better Man” — Luke Millar, David Clayton, Keith Herft, Peter Stubbs
“Dune: Part Two” — Paul Lambert, Stephen James, Gerd Nefzer, Rhys Salcombe
“Gladiator II” — Mark Bakowski, Neil Corbould, Nikki Penny, Pietro Ponti
“Kingdom of the Planet of the Apes” — Erik Winquist, Rodney Burke, Paul Story, Stephen Unterfranz
“Wicked” — Pablo Helman, Paul Corbould, Jonathan Fawkner, Anthony Smith

BRITISH SHORT ANIMATION
“Adiós” — José Prats, Natalia Kyriacou, Bernardo Angeletti
“Mog’s Christmas” — Robin Shaw, Joanna Harrison, Camilla Deakin, Ruth Fielding
“Wander to Wonder” — Nina Gantz, Stienette Bosklopper, Simon Cartwright, Maarten Swart

BRITISH SHORT FILM
“The Flowers Stand Silently, Witnessing” — Theo Panagopoulos, Marissa Keating
“Marion” — Joe Weiland, Finn Constantine, Marija Djikic
“Milk” — Miranda Stern, Ashionye Ogene
“Rock, Paper, Scissors” — Franz Böhm, Ivan, Hayder Rothschild Hoozeer
“Stomach Bug” — Matty Crawford, Karima Sammout-Kanellopoulou

EE RISING STAR AWARD (voted for by the public)
Marisa Abela
Jharrel Jerome
David Jonsson
Mikey Madison
Nabhaan Rizwan

#HollywoodCiak
Bengi

mercoledì 8 gennaio 2025

SAG Awards 2025: nominees & winners

31st Screen Actors Guild Awards

Outstanding Performance by a Cast in a Motion Picture
A Complete Unknown
Anora
Conclave
Emilia Pérez
Wicked

Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Daniel Craig, Queer
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave

Outstanding Performance by a Female Actor in a Leading Role
Pamela Anderson, The Last Showgirl
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance

Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey, Wicked
Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Jeremy Strong, The Apprentice

Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro, A Complete Unknown
Jamie Lee Curtis, The Last Showgirl
Danielle Deadwyler, The Piano Lesson
Ariana Grande, Wicked
Zoe Saldaña, Emilia Pérez

Outstanding Performance by an Ensemble in a Comedy Series
Abbott Elementary
The Bear
Hacks
Only Murders in the Building
Shrinking

Outstanding Performance by an Ensemble in a Drama Series
Bridgerton
The Day of the Jackal
The Diplomat
Shōgun
Slow Horses

Outstanding Performance by a Male Actor in a Comedy Series
Adam Brody, Nobody Wants This
Ted Danson, A Man on the Inside
Harrison Ford, Shrinking
Martin Short, Only Murders in the Building
Jeremy Allen White, The Bear

Outstanding Performance by a Female Actor in a Comedy Series
Kristen Bell, Nobody Wants This
Quinta Brunson, Abbott Elementary
Liza Colón-Zayas, The Bear
Ayo Edebiri, The Bear
Jean Smart, Hacks

Outstanding Performance by a Male Actor in a Drama Series
Tadanobu Asano, Shōgun
Jeff Bridges, The Old Man
Gary Oldman, Slow Horses
Eddie Redmayne, The Day of the Jackal
Hiroyuki Sanada, Shōgun

Outstanding Performance by a Female Actor in a Drama Series
Kathy Bates, Matlock
Nicola Coughlan, Bridgerton
Allison Janney, The Diplomat
Keri Russell, The Diplomat
Anna Sawai, Shōgun

Outstanding Performance by a Male Actor in a Miniseries or Television Movie
Javier Bardem, Monsters
Colin Farrell, The Penguin
Richard Gadd, Baby Reindeer
Kevin Kline, Disclaimer
Andrew Scott, Ripley

Outstanding Performance by a Female Actor in a Miniseries or Television Movie
Kathy Bates, The Great Lillian Hall
Cate Blanchett, Disclaimer
Jodie Foster, True Detective: Night Country
Lily Gladstone, Under the Bridge
Jessica Gunning, Baby Reindeer
Cristin Milioti, The Penguin

Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Gladiator II
Wicked

Outstanding Performance by a Stunt Ensemble in a Television Series
The Boys
Fallout
House of the Dragon
The Penguin
Shōgun

SAG Life Achievement Award
Jane Fonda

#HollywoodCiak
Bengi

domenica 5 gennaio 2025

2025 Golden Globes: Vote for your winners!

This year's Golden Globe Awards are upon us and it's time to vote for who YOU think is going to bring home some gold!
Cast you vote to predict who's going to win this year's Golden Globes!
(No need to know everything about the Globes or have watched all the movies or TV shows, this is just for fun so no pressure!)



#HollywoodCiak
Bengi

martedì 24 dicembre 2024

HollywoodCiak's Best & Worst of the Year: 2024

Which of the movies I saw this year were the ones I liked the most and which ones were forgettable or even... bad?

The only time I did my personal list of best and worst of the year was in 2017 and I think it's time to bring this tradition back for 2024, a year not necessarily great for movies, but one that saw a few good ones nonetheless. Let's start!

Worst:

10. "Queer"
09. "Inside Out 2"
08. "Argylle"
07. "The Fall Guy"
06. "The Watchers"
05. "Ghostbusters: Frozen Empire"
04. "Tarot"
03. "Night Swim"
02. "Imaginary"
01. "The Crow"


Best:

10. "Heretic"
09. "Gladiator II"
08. "Wicked"
07. "Civil War"
06. "Alien: Romulus"
05. "Dune: Part Two"
04. "Challengers"
03. "The Substance"
02. "Conclave"
01. "Kneecap"


#HollywoodCiak
Bengi

domenica 20 ottobre 2024

Film 2312 - The Substance

Intro: Non sapevo davvero cosa aspettarmi da questa pellicola, ma dalle recensioni sembrava davvero un evento da non perdere.

Film 2312: "The Substance" (2024) di Coralie Fargeat
Visto: al cinema
Lingua: inglese
Compagnia: Niamh, Débora
In sintesi: forse non un film perfetto, ma assolutamente il titolo della stagione.
Inaspettato, assurdo, macrabo e, al contempo, in grando di veicolare chiaramente il proprio messaggio - c'è chi addirittura dice tropo poco velatamente - "The Substance" non è un prodotto per tutti i palati, ma ha il grande pregio di sapere di novità. Il che, visto il recente panorama cinematografico, è già di per sé un miracolo.
La premessa è intrigante: showgirl con carriera in declino, decide di iniettarsi una sostanza in grado di liberare una versione migliore di se stessi. Entrambe le versioni coesistono, ma mai allo stesso tempo perché quando una è sveglia, l'altra è in una sorta di coma. Questo ciclo si ripete settimanalmente e, in teroria, se si rispetta le regole, tutto dovrebbe filare liscio. Ovviamente non sarà così.
Interessante sia a livello narrativo che estetico (c'è anche un po' di "The Shining" nei vari corridoi televisivi), "The Substance" funziona alla grande, ma funziona anche e soprattutto grazie a una Demi Moore mai così decisa a mettersi in gioco. Sicuramente qualche nomination dovrebbe uscirne, ma il vero colpaccio sarebbe la candidatura a non protagonista agli Oscar. È ancora molto presto per parlarne, ma io un po' ci spero.
Uniche critiche personali, ho trovato l'inizio un po' lento mentre il finale qualche volta mi ha perso. Non in toto, però il passaggio da totale fragilità fisica del personaggio di Elisabeth (Moore) a improvvisamente un combattimento da pellicola d'azione con lanci contro le pareti e botte da orbi mi ha lasciato perplesso. Poi capisco che sia tutto in chiave assurda e faccia parte del finale sopra le righe, violento e splatter, però il cambio di passo è talmente repentino che lì per lì mi ha infastidito.
Detto ciò, sceneggiatura e regia pazzesca di Coralie Fargeat, grande colonna sonora, visione estetica generale chiarissima e d'impatto e due performance complementari e che si complimentano grazie Demi Moore e Margaret Qualley che davvero in questo film danno tutte se stesse.
Per parafrasare Charli XCX, "The Substance" IS Brat.
Film 2312 - The Substance
Film 2349 - The Substance
Cast: Demi Moore, Margaret Qualley, Dennis Quaid, Gore Abrams, Oscar Lesage, Christian Erickson, Hugo Diego Garcia.
Box Office: $32.3 milioni (ad oggi)
Vale o non vale: Non per tutti, ma sicuramente un'esperienza. Per chi non si lascia spaventare da un po' di slatter e gore qua e là, "The Substance" è l'evento della stagione. Da non perdere.
Premi: In concorso a Cannes 2024, dove Coralie Fargeat ha vinto per la Miglior sceneggiatura.
Parola chiave: Perfect candidate.
Trailer
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