Film 2388 - Moulin Rouge!

Intro: Funny enough, we ended up watching this movie once again a couple of weeks after we watched it together for the first time. It was meant to be?

Film 2388: "Moulin Rouge!" (2001), Baz Luhrmann
Watched on: At the movies
Language: English
Watched with: Yegor
Thoughts: There's not a lot I want to add that I didn't say already, but I'll say this: "Moulin Rouge!" at the movies is still quite a phenomanl experience.
It made me think of the first time I've seen this film at the movies with my friends, back when I was 14yo, a lifetime ago. Still, this movie is a marvellous kaleidoscope of colours, songs, dances, aesthetics and ideas, all blended together in such a magic way. On paper, it looks like it would never work and yet it's a masterpiece. And, once again, Nicole Kidman is breathtaking.
Film 1771 - Moulin Rouge!
Film 2384 - Moulin Rouge!
Film 2388 - Moulin Rouge!
Cast: Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent, Richard Roxburgh, David Wenham, Kylie Minogue.
Box Office: $179.2 million
Worth a watch?: Though I rewatched it so soon, it really didn't bother me because the soundtrack is amazing and watching Nicole Kidman perform in this movie is literally a pleasure. She's a great actress of course, but here she outdid herself. Baz Luhrmann at his best.
Awards: 8 Oscar nominations (including Best Picture, Actress for Kidman, Cinematography and Editing) it won 2 for Best Art Direction and Best Costume Design. Nominated for 12 BAFTAs (including Best Film, Direction, Original Screenplay, Cinematography, Costumes, Production Design, Editing) it won 3 for Best Supporting Actor (Jim Broadbent), Best Original Film Music and Best Sound. The movie won 3 Goldeng Blobes (Best Motion Picture – Musical or Comedy, Actress for Kidman and Original Score) over 6 nominations (Director, Actor for McGregor and Original Song for "Come What May"). Nominated for 1 Grammy Award for Best Compilation Soundtrack for Visual Media. The movie was in competition at 54th Cannes Film Festival (where it lost to Nanni Moretti's "La stanza del figlio").
Key word: Maharaja.
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Bengi

Film 2386 - Mujeres al borde de un ataque de nervios

Intro: And so it begins: the long list of movies I've been watching with Yegor since we started dating.

Film 2386: "Mujeres al borde de un ataque de nervios" (1988), Pedro Almodóvar
Watched on: Yegor's TV
Language: Spanish
Watched with: Yegor
Thoughts: Always wanted to watch this one being a big fan of Almodóvar's filmography. And he didn't disappoint.
To be fair, I didn't expect this to be such a surreal story, for whatever reason I expected it to be more grounded in realy. It really didn't matter, once I understood the rule of the game it was a really fun watch.
I really do think Carmen Maura here steals the show, she's magnetic all the way through it, giving an enchanting performance that frankly should have been nominated for an Academy Award (but back in the 80s it wasn't really a thing to reward foreign actors with a nomination, it was extremely rare). She is the whole movie.
Overall, great cast, the story is funny and absurd - but in a way that makes sense - and Almodóvar does a great job at introducing himself the the whole world (this was his first global success). And from here, the rest is history.
Cast: Carmen Maura, Antonio Banderas, Julieta Serrano, María Barranco, Rossy de Palma, Kiti Mánver, Guillermo Montesinos, Fernando Guillén.
Box Office: $7,305,816
Worth a watch?: Great movie, a must-see if you enjoy Pedro Almodóvar's movies. Carmen Maura gives a fantastic performance and it's nice to see Antonio Banderas act in Spanish. Rossy de Palma has a smaller role, but you won't forget her.
Fans of Spanish cinema, this is definitely a movie worth watching.
Awards: Nominated for the Best Foreign Language Film at the Oscars, BAFTAs and Golden Globes. Winner for the Best Foreign Director at the David di Donatello Awards (also nominated for Best Foreign Film and Foreign Screenplay) and in competition for the Golden Lion at the 1988 Venice Film Festival, where the movie won for Best Actress (Maura) and Best Screenplay (Almodóvar).
Key word: Iván.
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Bengi

Film 2384 - Moulin Rouge!

Intro: No need for the full recap—I've been dating Yegor for a while now, and we were trying to pick a movie to watch together.. Me being me - and him being him, to be honest - we wanted something that checked a few boxes: a film neither of us had seen before, preferably with a good story, and most importantly, iconic enough that we could proudly say it was the very first movie we watched together.
And we found it.

Film 2384: "Moulin Rouge!" (2001), Baz Luhrmann
Watched on: From the projector
Language: English
Watched with: Yegor
Thoughts: I don't know exactly how many times I've seen "Moulin Rounge!" already, yet I always enjoy it like it's the first time I'm watching it. It's an iconic movie for so many reasons - its visual style, the music, the cast, the direction - and it's definitely Baz Luhrmann's masterpiece. I think only he could have pulled this off: in the hands of a different director, with a different vision in mind, this could've been a disaster, a mismatched melting pot of colours, songs and musical numbers that would've ended up resulting in an incoherent blend more confusing than entertaining.
But there's nothing incoherent about "Moulin Rouge!", Luhrmann's vision is clear and striking, opulent and kitsch, extravagant and classy at the same time. I think he tried hard to replicate this magical patchwork of elements in his movies after this one was such a success - I think mainly of "Elvis", but also "The Great Gatsby" in parts - but never really got there again.
To me, "Moulin Rouge!" is a masterpiece, "Your Song" always makes me cry, Baz Luhrmann and Ewan McGregor should have been nominated for an Oscar and, 100% Nicole Kidman should have won her Oscar for this role and not "The Hours".
Film 1771 - Moulin Rouge!
Film 2384 - Moulin Rouge!
Film 2388 - Moulin Rouge!
Cast: Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent, Richard Roxburgh, David Wenham, Kylie Minogue.
Box Office: $179.2 million
Worth a watch?: Musicals are not everyone's cup of tea, but this is not your regular musical, trust and believe. Absolutely worth watching it, it's a whole experience.
Awards: 8 Oscar nominations (including Best Picture, Actress for Kidman, Cinematography and Editing) it won 2 for Best Art Direction and Best Costume Design. Nominated for 12 BAFTAs (including Best Film, Direction, Original Screenplay, Cinematography, Costumes, Production Design, Editing) it won 3 for Best Supporting Actor (Jim Broadbent), Best Original Film Music and Best Sound. The movie won 3 Goldeng Blobes (Best Motion Picture – Musical or Comedy, Actress for Kidman and Original Score) over 6 nominations (Director, Actor for McGregor and Original Song for "Come What May"). Nominated for 1 Grammy Award for Best Compilation Soundtrack for Visual Media. The movie was in competition at 54th Cannes Film Festival (where it lost to Nanni Moretti's "La stanza del figlio").
Key word: The duke.
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Bengi

Film 2379 - Rocky

Intro: An iconic movie... that I had never seen before! And because I'm such a big fan of the "Creed" movies, I finally decided to give this movie - the OG of the franchise - a go.

Film 2379: "Rocky" (1976), John G. Avildsen
Watched on: From my computer
Language: English
Watched with: No one
Thoughts: I've never been a big fan of the 60s and 70s, so I'm not necessarily a big fan of movies from that era. That said, I thought it was ridiculous that I had never seen "Rocky" before.
With this in mind, I have to say that a) I understand why this film is considered so iconinc and b) yeah, it isn't necessairily my vibe, still I enjoyed the watch enough. My biggest struggle was understanding the accent and the delivery of the lines, which left me quite puzzled at times.
Overall it's a good sport movie. A bit outdated when it comes to gender and handling of the female character, but you can't watch a movie from 50 years ago with the eyes of today. Anyway... ADRIAAAAAAAAN!
Ps. Fun fact: Sylvester Stallone became the third person to be nominated for both acting and writing in the same year at the Oscars, following Charles Chaplin for "The Great Dictator" (1940) and Orson Welles for "Citizen Kane" (1941).
Cast: Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith.
Box Office: $225 million
Worth a watch?: Definitely worth watching it if you've never seen it before. It's a cult classic and made Stallone a major movie star.
Awards: 10 Oscar nominations (including Best Actor for Stallone, Actress for Shire, Supporting Actor for both Young and Meredith and Screenplay for Stallone), it won 3 for Best Picture, Director and Film Editing. 5 noms at the BAFTAs (including Best Picture, Dirctor, Actor for Stallone and Screenplay). 6 Golden Globe nominations (including Best Actor and Actress, Director and Score) and 1 win for Best Motion Picture – Drama.
Key word: Match.
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Bengi

Film 2369 - Memoirs of a Geisha

Intro: An afternoon watch in the living room with my housemate Kate, we decided to go for a horror movie.

Film 2369: "Memoirs of a Geisha" (2005), Rob Marshall
Watched on: My computer
Language: English
Watched with: Michael
Thoughts: I know it's not a perfect movie, but I really love it, especially the first part.
The soundrack from John Williams is a masterpiece (and one of my favourites), the costumes are impeccable and, in general, "Memoirs of a Geisha" is one of those movies really beautiful to look at. Zhang Ziyi and Gong Li banters are believable and Li is a great villain; also Michelle Yeoh plays a great mentor.
Some aspects of this production could have been more effective or pay more attention to the cultural baground and implications of their choices (see the casting controversy), but as a product of its time - not to mention, an American one - I still really enjoy rewatching "Memoirs of a Geisha".
Film 178 - Memorie di una geisha
Film 261 - Memorie di una geisha
Film 1775 - Memoirs of a Geisha
Film 2369 - Memoirs of a Geisha
Cast: Zhang Ziyi, Gong Li, Michelle Yeoh, Youki Kudoh, Kaori Momoi, Tsai Chin, Cary-Hiroyuki Tagawa, Suzuka Ohgo, Kōji Yakusho, Ken Watanabe.
Box Office: $162.2 million
Worth a watch?: I never read the book so I can't tell if the story was well translated into the movie, but I personally really like this movie: it's beautiful to look at and the soundrack is amazing. Not the masterpiece they were trying to product, but certainly a tachinally well executed final product.
Awards: 6 Oscar nominations and 3 wins for Best Art Direction, Cinematography, and Costume Design. 6 noms at BAFTAs (including Best Actress for Zhang Ziyi), it won for Best Cinematography, Costume Design, and Film Music. The movie won the Golden Globe for Best Original Score and recevied an additional nomination for Best Actress in a Drama Motion Picture (Ziyi). It won the Grammy for Best Score Soundtrack for Visual Media and was nominated at the MTV Movie & TV Awards for Sexiest Performance (Ziyi).
Key word: Mizuage.
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Bengi

Film 2364 - Troy

Intro: Another night in Lanzarote, another film on the telly. And yes, we went for another epic historical action movie.

Film 2364: "Troy" (2004), Wolfgang Petersen
Watched on: On the TV of the apartment
Language: English
Watched with: Niamh
Thoughts: It's not a bad movie by any means, it's just that watching it straight after "Gladiator"... it's impossible not to compare the two films.
Reality is, Wolfgang Petersen's "Troy" has better visual effects and - on paper - a better cast, but that's really all there is that beats Ridley Scott's film. For everything else, I preferred "Gladiator": it's more dynamic and the story more entertaining and better paced. Again, nothing against "Troy", I actually enjoyed rewatching, it, but having seen the two films back to back, for the whole time I was comparing this one to the other one and yeah, my heart is with "Gladiator".
That said, great cast here, everyone is in great shape - especially Brad Pitt's B side - and the movie honestly looks good. I wish they wouldn't have used so much color correction, but it is what it is. Still an enjoyable ride, although not a masterpiece or the movie I would reccomend to watch to get a fast glimpse of the Iliad story.
Film 644 - Troy
Film 2364 - Troy
Cast: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Rose Byrne, Garrett Hedlund, Saffron Burrows, Julie Christie, Peter O'Toole.
Box Office: $497.4 million
Worth a watch?: It's 163 minutes long so you better be ready when decideding to watch it. Definitely entertaining, although the end result could have been better. Still, enjoyable.
Awards: 1 Oscar nomination for Best Achievement in Costume Design and 2 MTV Movie + TV Awards nominations for Best Male Performance and Best Fight.
Key word: Immortality.
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Bengi

Film 2363 - Gladiator

Intro: The first week in Lanzarote was all about relaxing and recharging (but also working, because yes, we went there to work from abroad while enjoying more favourable weather than the Irish one). So we watched quite a few movies during our first nights we spent at home.

Film 2363: "Gladiator" (2000), Ridley Scott
Watched on: On the TV of the apartment
Language: English
Watched with: Niamh
Thoughts: I mean, talk about an iconic movie.
Not one of my favourite pictures of all time, but definitely one I enjoy watching, we decided to go with this one first between the many options available on Netflix because a) again, it's an iconic film, b) we just saw the sequel at the movies back in November. So to us it just made sense to go with the epic story of Maximus Decimus Meridius (Crowe) on his quest to venge his family brutally murdered by the jealous Commodus (Phoenix) after his father refuses to let him rule the empire and choses Maximus over him.
The drama is all there, Crowe and Phoenix are excellent in their respective roles and "Gladiator" just works: it's entertaining, well produced and acted and has an amazing soundtrack by Hans Zimmer.
Film 576 - Il gladiatore
Film 2363 - Gladiator
Film 2325 - Gladiator II
Cast: Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Derek Jacobi, Djimon Hounsou, Richard Harris.
Box Office: $465.5 million
Worth a watch?: Interesting movie, it's a good outing for a directorial debut. Zoë Kravitz has a clear point of view and the story has good plot twists, enough to keep the viewer constantly engaged. Not an easy watch.
Awards: "Gladiator" won 5 Oscars (Best Picture, Actor for Russell Crowe, Visual Effects, Sound, and Costume Design) and was nominated for an additional 7 (Best Director, Original Screenplay, Supporting Actor for Joaquin Phoenix, Original Score, Cinematography, Art Direction, and Editing). It won the Golden Globe for Best Motion Picture – Drama and Best Original Score – Motion Picture and was nominated for Actor (Crowe), Director, and Supporting Actor (Phoenix). At BAFTA it won Best Film, Cinematography, Production Design, and Editing over 14 overall nominations (including Best Direction, Original Screenplay, Actor in a Leading Role, Actor in a Supporting Role). It was nominated for 1 Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media. 6 nominations at the MTV Movie + TV Awards and 1 win for Best Movie.
Key word: Afterlife.
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Bengi

Film 2361 - Ainda Estou Aqui

Intro: I feel very ashamed I didn't write a single review in weeks. This only happened one other time back when I first started this blog in 2009 when, during the Summer, I couldn't force myself to write anything on here. Then something happened, I missed it, and I went back to it. Same situation here, now, but different circumstances. Life has been really hectic lately, a lot of new changes, work has been crazy for a while, events are piling up (The Second Annual Babes Awards are happening this Saturday and I'm very excited), holidays to plan, friends to see and catch up with... For a while I couldn't find the right moment (or the inspiration) to come back to this space an start writing. Sometimes it happens and yeah, it's all right.

Film 2361: "Ainda Estou Aqui" (2024), Walter Salles
Watched on: At the movies
Language: Portuguese
Watched with: Niamh, Debbi, Elias
Thoughts: One of the best movies I've seen last year.
Not only "Ainda Estou Aqui" is powerful on its own, but also what impacted me even more was watching this film with my Brazilian friends, as it gave me a broader understanding of what the story is about and how these real life events shaped their country and affected the people who lived through such terryfing times.
On top of that, Fernanda Torres delivers one of the best performances from last year - my second favourite, to be precise - and God she tour-de-forces you through so many emotions with just one expression or a side eye, her physicality is impeccable and she gives everything she has to her character, to the point that Eunice is almost like your friend, you root for her and her family and you suffer with her, you worries for her and her husband. Torres's performance is so powerful it's impossible to take your eyes off of her.
So yeah, "I'm Still Here" is great movie that tells a powerful story, it's wonderfully written and acted and stays with you even once the show is over. It's a tough one, but definitely worth watching.
Cast: Fernanda Torres, Selton Mello, Valentina Herszage, Humberto Carrão, Fernanda Montenegro.
Box Office: $36.1 million
Worth a watch?: It's a tough watch, I won't lie, but Fernanda Torres' performance is so magical and worth watching that it makes this film unmissable. But get ready, because "Ainda Estou Aqui" holds no punches.
Awards: Nominated for 3 Oscars for Best Picture and Best Performance by an Actress in a Leading Role (Torres), it won for Best International Feature Film (the first win for Brazil in this category). 1 BAFTA nomination for Best Film Not in the English Language and 2 Golden Globe nomination for Best Foreign Language Film and Best Actress in a Motion Picture – Drama, it won the latter. In competition at the 2024 Venice International Film Festival, it won for Best Screenplay.
Key word: Dictatorship.
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Bengi

Film 2358 - The Brutalist

Intro: We were really curious to watch this movie after hearing about it so much and in such good terms. Also, we thought  it would have played a bigger role during the awards season.

Film 2358: "The Brutalist" (2024), Brady Corbet
Watched on: At the movies
Language: English
Watched with: Niamh, Elias, Debbi
Thoughts: Not a huge fan of Adrien Brody to be honest and I wasn't quite sure I could handle a 3 hour film - I'm not my younger and enthusiastic self anymore - but we ended up going all together to see Brady Corbet's epic WWII architectural saga because a) everyone was talking about it and b) it looked like the Oscars were going to recognize this movie big time. And point b) kinda happened.
Altought this is definitely not my movie of the year - neither in general, nor between the Oscar nominated pictures - I made peace with the fact that "The Brutalist" was going to win Best Picture a long time before the actual Oscars night. Imagine my shock when the winnder announced was actually "Anora". Two opposite movie experiences for me, one calm (althought traumatic), the other one screamed at you. Funny how things can still surprise you even when you think you have all figured out.
Anyway, "The Brutalist" wasn't as heavy to watch as I thought I would be: it's not an easy ride by any means, but the beautiful shots, the elegance of this film and the compelling story makes up for it. Still, not a huge fan of Adrien Brody. His performance is (obviously) good, and nobody does the a WWII movie like him, but another Oscar after "The Pianist"? For a very similar performance? Again? The only actor across all 4 acting categories who already had an Oscar, won his second one. Was it really necessary? I was hard-core rooting for Ralph Fiennes but I was happy to settle for Timothée... but Brody again? I don't know, it still doesn't sound right to me.
And, I'll be honest, it still shocks me that Brady Corbet didn't win for Best Director considering how beautifully shot and directed his movie is. A movie about an architect, the building of his visionary magnum opus, the epic tale of an artist, his struggle, the war, having to run away from your own country... It had all the elements. Especially considering that neither Edward Berger for "Conclave" nor Luca Guadagnino for "Challengers" were nominated.
Anyway, I enjoyed "The Brutalist" as a one time experience - with the intermission and all - and that part shot in the marble caves of Carrara stays with me to this day. It's a very well done movie, a visionary one fur sure and extremelly well executed. Not my favourite of them all, but still a great expample of contemporary cinema.  
Cast: Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, Alessandro Nivola.
Box Office: $50.1 million
Worth a watch?: Definitely not a film for everyone nor a cinematic experience for every occasion as the movie is 215 minutes long. But, if you have the willingness and the patience, it's definitely worth watching.
Awards: 3 Oscars wins (Best Actor for Brody, Original Score, and Cinematography) out of 10 nominations (Best Picture, Director, Supporting Actor for Pearce, Supporting Actress for Jones, Original Screenplay, Editing, and Production Design). 4 BAFTAs wins (Best Director, Actor in a Leading Role, Cinematography, and Original Score) out of 9 noms (Best Film, Actor in a Supporting Role, Actress in a Supporting Role, Original Screenplay, and Production Design) and 3 Golden Globes wins (Best Motion Picture – Drama, Actor in a Motion Picture – Drama, Director) out of 7 overall nominations (Best Supporting Actor, Supporting Actress, Screenplay, and Original Score). Winner of the Silver Lion (Brady Corbet) at 2024's Venice Film Festival.
Key word: Bulding.
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Bengi

Film 2354 - A Complete Unknown

Intro: Getting ready for the Oscars means to watch as many nominated movies as possible. And this year we were very committed.

Film 2354: "A Complete Unknown" (2024), James Mangold
Watched on: At the movies
Language: English
Watched with: Niamh, Debbi, Elias
Thoughts: Biopics can be a hit or a miss, but I have to admit I enjoyed this movie enough. I say enough not because "A Complete Unknown" isn't a good movie - au contraire - but mainly because I don't know Bob Dylan's music that much and. And considering this is both a biopic AND a musical, not knowing any of the songs didn't help.
Again, I don't know Dylan's story, so I can only judge what I saw here, which isn't that pretty at times: it seems like the famous singer was a bit of a prick here and there (I mean, we all are in our own different ways) and I wasn't expecting to witness this side of him. His relationship with the two main female lead here isn't great, there's a lot of cheating and putting himself (and his music) first in the name of greatness.
That said, I particularly enjoyed the actors' performances. Timothée Chalamet really is one of the greatest (see his SAG speach which brought him so much controversy) and Monica Barbaro is phenomenal playing Joan Baez. Extremely well deserved Oscar noms for these two. I admit I was rooting for Chalamet to win. Althought this isn't my favourite movie by any means, of the 5 nominated performances (I watched only 4 so far), his was the one that impressed me the most.
Overall I liked "A Complete Unknown", not necessarily a movie that fits what I'm usually looking for in a film, still I enjoyed the watch.
Ps. It's silly, I know, but once you notice Chalamet's nails you can't unsee them.
Cast: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Scoot McNairy.
Box Office: $132 million
Worth a watch?: Bob Dylan's fans should really enjoy this movie. Not my favourite biopic or musical, but still a good film. Similar titles would be "Walk the Line" and Ray". For something a bit more fast-paced, "Dreamgirls", "8 Mile", "Elvis", "Better Man", "Rocketman" or "Judy".
Awards: Nominated for 8 Oscars for Best Picture, Director, Lead Actor (Chalamet), Supporting Actress (Barbaro), Supporting Actor (Norton), Adapted Screenplay, Sound, and Costume Design. 6 BAFTA nominations for Best Film, Actor in a Leading Role (Chalamet), Actor in a Supporting Role (Norton), Adapted Screenplay, Casting, and Costume Design. 3 Golden Globe noms in the Drama category for Best Picture, Best Actor (Chalamet), and Supporting Actor (Norton).
Key word: Folk.
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Bengi

Film 2353 - The Thin Red Line

Intro: Ages ago when I was still a teenager, I tried to watch this movie. I heard great things about it and I wanted to know what all the fuzz was about. 20 minutes in and I stopped. I remember thinking it started so slow, I felt I wasn't sure I could finish it. Decades have passed and, for watherver reason, a few weeks ago I remembered about this movie, remembered how I gave up when I tried to watch it the first time, and felt now it was the right time to give it a go.

Film 2353: "The Thin Red Line" (1998), Terrence Malick
Watched on: My computer
Language: English
Watched with: No one
Thoughts: I wont' lie, it took all the patience I had in me to finish this movie. Not becuase it's bad - the very opposite - but it's so long (171 min) I wasn't sure I had it in me after a while.
That said, "The Thin Red Line" is extremely well made, I think you can tell that Malick is really interested in nature, a lot of the shots are actually just forest. It really does help you immerse yoursefl in the story, although including all these shots really encreases the runtime of the movie. Once you're at peace with that, you can really focus on the story.
There are a billion characters (and famous actors) in this movie, to the point that sometimes it's overwhelming. I was curious to see how the story would have handled so many storylines, but to be fair most of these famous actors that you read the name of on the poster are just there for a scene or two (George Clooney and John Travolta, for example), so that explains how they managed to secure so many famous names. It's still impressive how many famouse faces from that decade you recognize while watching the movie.
Overall, I really enjoyed "The Thin Red Line". In a way, it's more "poetic" than "Saving Private Ryan", although still very much grounded into reality, it has a way of telling its story differently, often stopping to focus on nature, a detail, a face. I liked this approach, in a way it gives you a moment to take all in, process the cruelty you just witnessed, the horrors of war. Funny enough, the two movies share similar topics and themes, they both faced against each other at the 1999 Oscars ceremony and they both lost Best Picture (still a massive scandal to this day) to "Shakespeare in Love".
Cast: Sean Penn, Adrien Brody, Jim Caviezel, Ben Chaplin, George Clooney, John Cusack, Woody Harrelson, Elias Koteas, Nick Nolte, John C. Reilly, Jared Leto, Tim Blake Nelson, Thomas Jane, Miranda Otto, John Travolta.
Box Office: $98.1 million
Worth a watch?: A tough watch, I won't lie. Definitely not a movie for all occasions or everybody, it handles a heavy topic (depicting a a fictionalized version of the Battle of Mount Austen, which was part of the Guadalcanal Campaign in the Pacific Theater of the Second World War) and it takes its time to do it. I really liked it, but I'm not sure I'd watch it again.
Awards: Nominated for 7 Oscars for Best Picture, Director, Adapted Screenplay, Cinematography, Editing, Original Dramatic Score, and Sound. Nominated for Best Foreign Film at the César Awards. The movie won the Golden Bear at the Berlin International Film Festival.
Key word: Bunker.
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Bengi

Film 2352 - The Curious Case of Benjamin Button

Intro: A couple of months ago I was watching a video on YouTube about the Oscars and the youtuber said something like nobody really remembers this movie anymore as it wasn't that good anyway. I cannot disagree more.

Film 2352: "The Curious Case of Benjamin Button" (2008), David Fincher
Watched on: My computer
Language: English
Watched with: No one
Thoughts: "The Curious Case of Benjamin Button" has had such a massive impact on my life it's hard to explain how much I care for it. Not only it inspired the nickname I use to this day, Bengiamino Bottone, but I remember being obsessed with its soundtrack - I bought the CD - and I still listen to it to this day. Not to mention that my favourite actress Cate Blanchett plays the female lead character, which adds to this movie's appeal (to met).
Rewatching it almost felt like watching it for the first time all over again, as it's been a while since my last viewing. And it was probably my first time watching it in English, so in a way it felt like I was experiencing something new.
A very poetic movie, beautifully shot and, again, Alexandre Desplat's score is so good.
Film 200 - Il curioso caso di Benjamin Button
Film 1151 - The Curious Case of Benjamin Button
Film 2352 - The Curious Case of Benjamin Button
Cast: Brad Pitt, Cate Blanchett, Taraji P. Henson, Julia Ormond, Jason Flemyng, Elias Koteas, Mahershala Ali, Jared Harris, Tilda Swinton.
Box Office: $335.8 million
Worth a watch?: One of my favourite movies, I never get tired of it. It is a bit long for sure, but I never really minded. Always a nice watch.
Awards: 3 Oscar wins for Best Art Direction, Makeup, and Visual Effects out of 13 nominations (Picture, Director, Acotr for Brad Pitt, Supporting Actress for Taraji P. Henson, Original Score, Adapted Screenplay, Cinematography, Costume Design, Editing, and Sound Mixing). 3 BAFTA wins for Best Makeup & Hair, Production Design, and Visual Effects out of 11 noms (Film, Director, Actor, Adapted Screenplay, Cinematography, Editing, Costume Design, and Music). 5 Golden Globe nominations in the Drama category (Film, Director, Actor, Screenplay, and Score). 1 MTV Movie + TV Awards for Best Female Performance (Taraji P. Henson). Nominated for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media at the Grammys.
Key word: Aging.
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Bengi

Film 2351 - Conclave

Intro: I'm obviously obsessed with this movie and I wanted to show it to Michael, who didn't have the chance to go and see it at the movies.

Film 2351: "Conclave" (2024), Edward Berger
Watched on: The TV
Language: English
Watched with: Michael
Thoughts: The more I watch it, the more I enjoy it and notice new details, pay more attention to the soundtrack (this wonderful score should have won Volker Bertelmann the Oscar), love Ralph Fiennes' performance even more.
"Conclave" is a great movie, stunningly beautiful, every shot looks like a painting, carefully crafted to please the eyes of the audience. I'm really captivated by this movie, I find it beautiful and smart, its story compelling and entertaining (although I still feel such a shocking ending isn't really necessary here: maybe it works better in the book, I'm not sure it translate well in its cinematic counterpart). And it gives me great joy to see Isabella Rossellini and Sergio Castellitto in such a prestigious production.
One of the best movies from last year, definitely my pick for Best Picture at the Oscar.
Film 2327 - Conclave
Film 2332 - Conclave
Film 2351 - Conclave
Cast: Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, Carlos Diehz, Lucian Msamati, Isabella Rossellini.
Box Office: $107.6 million
Worth a watch?: I'd watch it another 50 times. "Conclave" is great, perfectly narrated, beautifully crafted, masterfully acted. It's a thriller more than anything else, very political and extremely symbolical. Like an onion, there are multiple layers to peal here.
Awards: 1 Oscar win for Best Adapted Screenplay over 8 Oscar nominations (Best Picture, Actor for Fiennes, Supporting Actress for Rossellini, Original Score, Editing, Production Design, and Costume Design). 1 Golden Globe won for Best Screenplay out of 6 nominations in the drama category (Best Movie, Actor, Supporting Actress, Director, and Original Score). 12 BAFTA nominations and 4 wins for Best Film, Outstanding British Film, Best Adapted Screenplay, and Best Editing.
Key word: Certainty.
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Bengi

Film 2350 - Anora

Intro: I wan't sure about rewatching this movie already, but Michael really wanted to watch it and, to be fair, I couldn't say no. Because, after all, this was one of my favourite movies from last year.

Film 2350: "Anora" (2024), Sean Baker
Watched on: The projector
Language: English
Watched with: Niamh
Thoughts: It's almost been two weeks and I still can't get over the fact that Demi Moore isn't an Oscar winner "because" of this movie. To be honest, I don't think I'll ever get over it. But let's start from the beginning.
When I watched "Anora" a couple of months ago, all the Oscars buzz and the controversies (about the intimacy coordinator) were there already. After winning at Cannes 2024, it was very obvious that this movie was destined to do really good come award season. So, that I expected. When Demi Moore started winning big, I got really excited, to the point that I didn't give too much credit to the BAFTAs when they rewarded Madison in their Leading Actress category. Usually the BAFTAs are a bit more "artsy" and/or go with British choices, so I didn't feel particularly defeated when Demi didn't win there (still, they rewarded "Emilia Pérez", but whatever). Demi subsequent win at SAG further cemented my idea: she was going to win the Oscar for sure now, seeing that the actors' branch was rewarding her performance a week before the Academy Awards. Boy I was up for a surprise.

With this in mind, I can't honestly deny that my disappointment for Demi's lost chance at winning her first Academy Award comes into play a bit when I'm thinking about this movie. I still think "Anora" is an interesting ride, but it's definitely not my best movie of the year. By a landslide. And, as much as I respect Mikey Madison's performance here - which is great, by the way! - hers is definitely not my favourite performance of 2024. (Who would have thought...)
"Anora" is a very, very loud movie, the dialogue is sometimes screamed at you, which reminded me of the terrible experience I had watching "Uncut Gems": I can take the noise, it's just that everything is too cahotic and frantic and I don't appreciated it.
Furthermore, the story didn't necessarily compelled me, not my cup of tea. The sex workers subject is interesting, but it lost me when the family got involved: I'm not much into movies about mafia, gangsters and similar topics. Not for me.
What I did really enjoye is Yura Borisov's character and performance. He is amazing in the movie, a real scene-stealer for me. At the beginning he's only in the background, but he slowly gains momentum until, in the end, he reveals himself to be one of the few people (possibly the only one) who shows Anora some kindness. I was really impressed by Borisov's portrayal, possibly also because he's not so in your face like every other character of this movie.
So, now that we all know that this is 2025's Best Picture winner at this Oscars, I'll say this (and maybe time will prove me wrong or I will change my mind): "The Substance" is an iconic movie in so many ways and it will forever be remembered as such. I don't know if we can say the same about "Anora".
Cast: Mikey Madison, Mark Eydelshteyn, Yura Borisov, Karren Karagulian, Vache Tovmasyan, Aleksei Serebryakov.
Box Office: $47.2 million
Worth a watch?: #TeamDemi didn't work so here we are, with a different Best Actress winner, still an extremely impressive performance. Funny enough, the story of "The Substance" came to life on Oscars' night, when Demi Moore lost the chance of a lifetime to a younger actress.
"Anora" isn't my favourite movie, it's been a tough watch to be completely honest, it's a very loud movie and the characters constantly scream at each other. If you like that type of chaos, there's plenty for you here. The sex workers topic is also interesting, but the story quickly shifts to Anora and Vanya's crazy love story, so it's a bit of a missed opportunity there for me. All in all, it's worth watch it to come up with your own opinion about the movie, but I'm definitely going to watch it again soon.
Awards: 6 Oscar nominations and 5 wins: Best Picture, Director, Actress (Mikey Madison), Original Screenplay, and Film Editing (only missed Best Supporting Actor for Yura Borisov). 2 BAFTA wins over 7 nominations (for Best Actress in a Leading Role and Best Casting) and 5 Golden Globe nominations for Best Motion Picture – Musical or Comedy, Best Actress (Madison), Best Supporting Actor (Borisov), Best Director, and Best Screenplay. The movie won the Palme d'Or at the 2024 Cannes Film Festival.
Key word: Wedding.
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Bengi

Film 2349 - The Substance

Intro: I wan't sure about rewatching this movie already, but Michael really wanted to watch it and, to be fair, I couldn't say no. Because, after all, this was one of my favourite movies from last year.

Film 2349: "The Substance" (2024), Coralie Fargeat
Watched on: From the TV
Language: English
Watched with: Michael
Thoughts: I'm honestly so glad I rewatched this. I think the first time around "The Substance" was more an experience, rather than a film. I remembered I felt I was going through a rollercoaster during my first watch at the movies, but this time I knew what to expect and, in a way, I focused more on other aspects of this wild ride.
First, I paid more attention to Margaret Qualley's performance: she was definitely deserving of an Oscar nomination. Maybe not a win, but her role is iconic and there's no Elisabeth Sparkle without Sue. Remember: they are one.
Second, I paid more attention to the soundtrack and the visuals in general. I think "The Substance" does an amazing job at defyining itself through images and sound, not just the performances. It features a lot of ommages to other films, probably the easiest one to spot is "The Shining". Visually it's an extremely interesting movie, the colours are so bright and the music makes them feel even more "alive".
Thirdly, I reconsidered some of my previous concerns regarding the ending - there's a lot of "Carrie" in that live Christmas special - and although gruesome and gory, it really fits this story, complementing a crazy, wild ride in a way that is so unexpected as it is overwhelming at first. On a second watch, knowing what's about to happen, you focus less on the shock of what you're witnessing and more on the absurdity that is to put your life at risk to fulfill a (male) fantasy and pursue fame at all costs.
Film 2312 - The Substance
Film 2349 - The Substance
Cast: Demi Moore, Margaret Qualley, Dennis Quaid.
Box Office: $77.1 million
Worth a watch?: Definitely not a movie for the general crowd, but an interesting and challenging movie nonetheless. On my second watch I loved it even more: Demi Moore needs to win that Oscar now. We'll see on Sunday what happens, but after her win at SAG last Sunday, it looks like she might have the support to achieve this amazing feat. What a journey for her. #TeamDemi
Awards: 5 Oscars nomination for Best Picture, Director, Actress, Original Screenplay, and Makeup and Hairstyling. 1 BAFTA win for Best Make Up & Hair out of 5 nominations (Director, Actress in a Leading Role, Original Screenplay, and Sound). 1 win at the Golden Globes for Best Actress in a Motion Picture – Musical or Comedy (Moore) out of 5 noms (Film, Director, Supporting Actress, Screenplay). The movie is currently nominated for Best Foreign Film at this year's César Awards.
Key word: Christmas Show.
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Bengi

Film 2347 - A Real Pain

Intro: I stayed at Micheal's for almost a week, so I had my list of things I wanted to watch (to switch from our usual "Drag Race" frenzy...). And this movie came highly reccomended by Niamh, so I was really curious to watch it.

Film 2347: "A Real Pain" (2024), Jesse Eisenberg
Watched on: From the TV
Language: English
Watched with: Michael
Thoughts: This is the first movie written and directed by Jesse Eisenberg that I watched. I thought it was his directorial debut, but it actually isn't, as he previously wrote and directed a movie called "When You Finish Saving the World" with Julianne Moore. seen that I didn't know too much about his previous work in these roles, I didn't know what to expect.
"A Real Pain" is a really weel constructed movie and a solid one. Through his screenplay, Eisenberg is capable of building a quirky, yet profound world that function well thanks to the chemistry between Eisenberg and his co-lead Kieran Culkin. Together thei're a match made in heaven.
Culkin, especially, thanks to his character is able to stand out, portraying Benji in a way that resimbles his Roman Roy from "Succession", but in a more low-key, depressed and "hippie" way. I'm sure he's winning an Oscar for this role.
Other than the two actors, though, the story explores grief and mental health, for a on the road/self-discory story that follows David (Eisenberg) and Benji's Jewish family roots all the way to Poland to visit the village where their grandmother grew up. While in the country, they go on a Jewish heritage tour that will take them to Majdanek, the Nazi German concentration in Lublin.
Needless to say, the subject of this movie is extremely heavy and yet Eisenberg finds a good balance between heavier and lighter moments, for an overall result that isn't a tough watch, but the very opposite (still, I would classify this as a comedy movie, as the Golden Globes did when recognizing "A Real Pain" in their categories). Not my favourite movie of the year, but absolutely a worthy watch.
Cast: Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes.
Box Office: $19.6 million
Worth a watch?: A movie well done, with a charming cast and story, altough tough to process at times. Probably not everyone's cup of tea, but for those who are interest, definitely worth the watch. For those who thought Kieran Culkin gave the performance of a lifetime by playing Roman Roy, here's another character he mastered magnificently.
Awards: Nominated for 2 Oscars for Best Performance by an Actor in a Supporting Role (Kieran Culkin) and Best Original Screenplay (Jesse Eisenberg); the movie won at BAFTA in the same two categories. At the Golden Globe, it won for Best Performance by a Male Actor in a Supporting Role in Any Motion Picture (Culkin) out of 4 total nominations (Best Motion Picture Musical or Comedy, Actor in a Motion Picture Musical or Comedy, and Screenplay).
Key word: Grandma.
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Bengi

Film 2346 - Kingdom of the Planet of the Apes

Intro: We're going back in time for this one because I forgot to note in down in my list of movies to review and... I completely forgot about it until the Oscar nominations came out and Bowen Yang made that joke about so many movies nominated for Best Visual Effects portrays monkeys in their stories.

Film 2345: "Kingdom of the Planet of the Apes" (2024), Wes Ball
Watched on: At the movies
Language: English
Watched with: Niamh
Thoughts: The fact that I completely forgot i watched this movie I think says it all. It's not a bad movie, to be fair, but it's nothing we've seen before. To be completely honest, the thing I remember the most about "Kingdom of the Planet of the Apes" is how many times I yawned: the running time is too long (145 minutes) and for a lot of the plot nothing really happens. Probably I wasn't really in the mood to watch this film, but yeah, I remember I was bored.
The visual effects are great, though, and the premise of the "Planet of the Apes" franchise is always fascinating. But I feel like we milked it enough.
Ps. While I was writing down the list of the other "Planet of the Apes" movies I saw in the past, I noticed there's one missing from my reviews that I know I watched back in the day: "War for the Planet of the Apes". Funny enough, I forgot to write about another film from this saga.
Film 325 - L'alba del pianeta delle scimmie
Film 764 - Apes Revolution - Il pianeta delle scimmie
Film 2346 - Kingdom of the Planet of the Apes
Cast: Owen Teague, Freya Allan, Kevin Durand, Peter Macon, William H. Macy.
Box Office: $397.4 million
Worth a watch?: If you enjoyed the previous entries of this rebooted saga, surely you'll enjoy "Kingdom of the Planet of the Apes". For anyone else, either you start from the beginning (see list above) or you pick another film about mokeys (there's so many).
Awards: 1 nomination at the 2025 Oscars and BAFTAs for Best Visual Effects.
Key word: Egg.
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Bengi

Film 2245 - Better Man

Intro: I got so excited to see this movie I couldn't wait!

Film 2345: "Better Man" (2024), Michael Gracey
Watched on: At the movies
Language: English
Watched with: Michael
Thoughts: I'm not Robbie Williams biggest fan, but I definitely know his work and appreciate his music, so I was excited to watch a movie biopic about him and his start in the Tak That boy band back in the 80s all the way to today's time. And let me tell you, this movie delivers.
I understand not everyone is familiar with Williams - this resulted in this movie's biggest controversy: it's audience - but it shouldn't stop people from seeing this movie: "Better Man" is a great biopic and an even better musical. The songs are great and the dance routines (and camera work to go with it) amazing, perectly balancing emotional depth and entertainment. Not to mention this movie is extremely interesting visually, as (everybody knows) the main character, Robbie, is portrayed as a chimpanzee (various reasons behind this choice, I'll let you discover them). And although this may look odd at first glance, in reality this choice doesn't take anything away from the story and the audience connection to the protagonist. Yeah, it's a bit weird, but Robbie Williams never really played by the rules.
So, to summarize, this movie is great.
That said, it definitely overestimated its audience. America seems to have rejected it because Williams isn't really famous over there - funny enoug, "Anora", a film nominated for 6 Academy Awards this year, features the song "Greatest Day" by Take That, the group Williams first started his career in (although he's not included in this song) - but honestly I find this to be a lazy excuse. I watched countless American biopics focusing on people I didn't know much about, it has never stopped me from enjoying the movie. And I find annoying how many people (online) dismissed "Better Man" just because Williams isn't part of their American background, stating that he was never really famous because he never "made it" in the US. I remember growing up Robbie Williams was everywhere, delivering a smashing hit after another and selling millions of albums in Europe: I don't think this cultural phenomenon can be disregarded just becuase the US wasn't touched by it. (He even sang a song with Nicole Kidman back in 2001!)
Anyway it's obvious at this point that investing $110 million on this project was a massive risk that didn't pay off. These days is difficult for a superheroe movie to generate box-office frenzy, I don't think this biopic about a British popstar led by a motion capture generated monkey stood a chance. Which is said, considering how good this movie is.
A bittersweet feeling with this one: on one hand a very well executed and entertaining movie, on the other one of the biggest flop from 2024. But don't get you fooled by the box-office gross, "Better Man" is absolutely worth the watch.
Cast: Robbie Williams, Jonno Davies, Steve Pemberton, Alison Steadman, Raechelle Banno.
Box Office: $19.7 million (so far)
Worth a watch?: A peculiar mix of "Trainspotting" and "Planet of the Apes". Robbie Williams and Take That's fun, this is your movie. Everyone else, give this film a chance, you won't be disappointed.
Awards: 1 nomination at the 2025 Oscars and BAFTAs for Best Visual Effects. 1 nomination for Best Original Song, Motion Picture ("Forbidden Road", Robbie Williams, Freddy Wexler, Sacha Skarbek) at the 2025 Golden Globes.
Key word: "It".
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Bengi

Film 2343 - Nosferatu

Intro: Back from Italy after the holiday break, Niamh and I had this movie planned for as soon as we got back to Dublin.

Film 2343: "Nosferatu" (2024), Robert Eggers
Watched on: At the movies
Language: English
Watched with: Niamh
Thoughts: I was excited to see this movie, but not as excited as Niamh was.
I wasn't exactly sure what to expect, which I think didn't make me too entusiastic about watching this movie to begin with. What excited me the most, though, was it's cast: with Nicholas Hoult, Aaron Taylor-Johnson and Willem Dafoe all in lead and supporting roles and none other than "It" itself Bill Skarsgård in the titular role, definitely "Nosferatu"'s star factor was playing a big role.
What hurt the chances of me liking and enjoying this movie experience, though, were two factors. Firstly, an external one: the movie theater we were in had no heating on and we ended up watching the movie wearing our jackets all buttoned up. It maybe (unintentionally) mimicked this film's atmosphere, but it wasn't at all pleasent and actually made imèatient to leave ("Nosferatu" is 132 min long...).
Secondly, I couldn't understand a single thing Bill Skarsgård says. The tone of his voice playing this character and especially the accent made impossible for me to grasp just a couple of words here and there, to the point I eventually gave up trying to understand what "Nosferatu" was saying. Which obviously made it kind of hard for me to understand what was going on with his character in general and especially with his relationship to and with Lily-Rose Depp's Ellen. To the point that I had to go and read the plot of this movie on Wikipedia to get a better sense of what I just watched.
So, maynly for these two reasons, i can't say I enjoyed watching "Nosferatu" as much as I was expecting to.
That said, it's undeniable that this movie has a clear point of view, is masterfully crafted and well acted and has a great sense of style and it's visually compelling. I particularly loved the gloomy atmosphere, the cinematography and costumes and the actor's perfromances. I think Robert Eggers once again proves that he has a really interesting point of view and his film are more and more becoming recognizable in terms of their clear style and visual, estethic and directing.
Also, I want to mention that I enjoyed Lily-Rose Depp's performance, this is the first time I see her act and she didn't disappoint (although I think this could have been another role Anya Taylor-Joy would have killed had she collaborated with Eggers once more after "The Witch" and "The Northman").
Cast: Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe.
Box Office: $172.2 million (so far)
Worth a watch?: Visually intriguing, extremelly well crafted and directed, I'm sure "Nosferatu" won't disappoint the fans of the original (although I didn't watch it so take this with a pinch of salt). Some may require subtitles to understand what Bill Skarsgård is saying.
Awards: Nominated for 4 Oscar: Cinematography, Production Design, Costumes and Makeup and Hairstyling. 5 BAFTAs nominations for Cinematography, Production Design, Costumes, Make Up & Hair and Original Score.
Key word: Plague.
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Bengi

Oscars 2025: Nominees & Winners

The 97th Academy Awards ceremony, will take place on March 2, 2025, at the Dolby Theatre in Hollywood, Los Angeles. Comedian and podcaster Conan O'Brien is set to host the show for the first time. 

97th Academy Awards

Best Picture
“Anora,” (Neon) Alex Coco, Samantha Quan and Sean Baker, Producers
“The Brutalist” (A24)
“A Complete Unknown” (Searchlight) Fred Berger, James Mangold and Alex Heineman, Producers
“Conclave” (Focus Features) Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
“Dune: Part Two” (Warner Bros.) Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
“Emilia Pérez” (Netflix)
“I’m Still Here” (Sony Pictures Classic)
“Nickel Boys” (Orion Pictures/Amazon MGM Studios)
“The Substance” (MUBI)
“Wicked” (Universal) Marc Platt, Producer

Best Director
Sean Baker, “Anora”
Brady Corbet “The Brutalist”
James Mangold, “A Complete Unknown”
Jacques Audiard, “Emilia Pérez”
Coralie Fargeat, “The Substance”

Best Actress
Cynthia Erivo, “Wicked”
Karla Sofía Gascón, “Emilia Pérez”
Mikey Madison, “Anora”
Demi Moore, “The Substance”
Fernanda Torres, “I’m Still Here”

Best Actor
Adrien Brody, “The Brutalist”
Timothée Chalamet, “A Complete Unknown”
Colman Domingo, “Sing Sing”
Ralph Fiennes, “Conclave”
Sebastian Stan, “The Apprentice”

Best Supporting Actress
Monica Barbaro, “A Complete Unknown”
Ariana Grande, “Wicked”
Felicity Jones, “The Brutalist”
Isabella Rossellini, “Conclave”
Zoe Saldaña, “Emilia Pérez”

Best Supporting Actor
Yura Borisov, “Anora”
Kieran Culkin, “A Real Pain”
Edward Norton, “A Complete Unknown”
Guy Pearce, “The Brutalist”
Jeremy Strong, “The Apprentice”

Best International Feature Film
“I’m Still Here,” Brazil 
“The Girl with the Needle,” Denmark 
“Emilia Pérez,” France  
“The Seed of the Sacred Fig,” Germany  
“Flow,” Latvia

Best Animated Feature
“Flow” (Sideshow/Janus Films)
“Inside Out 2” (Walt Disney) Kelsey Mann and Mark Nielsen
“Memoir of a Snail” (IFC Films) Adam Elliot and Liz Kearney
“Wallace & Gromit: Vengeance Most Fowl” (Netflix)
“The Wild Robot” (Universal) Chris Sanders and Jeff Hermann

Best Adapted Screenplay
“A Complete Unknown”, Screenplay by James Mangold and Jay Cocks
“Conclave,” Screenplay by Peter Straughan
“Emilia Pérez,” Screenplay by Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” Screenplay by RaMell Ross & Joslyn Barnes
“Sing Sing,” Screenplay by Clint Bentley, Greg Kwedar, Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Best Original Screenplay
“Anora,” Written by Sean Baker
“The Brutalist,” Written by Brady Corbet, Mona Fastvold
“A Real Pain,” Written by Jesse Eisenberg
“September 5,” Written by Moritz Binder, Tim Fehlbaum, Co-Written by Alex David
“The Substance,” Written by Coralie Fargeat

Best Documentary Feature Film 
“Black Box Diaries” (MTV Documentary Films) Shiori Ito, Eric Nyari and Hanna Aqvilin
“No Other Land,” Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
“Porcelain War” (Picturehouse) Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
“Soundtrack to a Coup d’Etat” (Kino Lorber) Johan Grimonprez, Daan Milius and Rémi Grellety
“Sugarcane” (National Geographic Documentary Films)

Best Costume Design
“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell

Best Makeup and Hairstyling
“A Different Man,” Mike Marino, David Presto and Crystal Jurado
“Emilia Pérez,” Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
“Nosferatu,” David White, Traci Loader and Suzanne StokesMunton
“The Substance,” Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
“Wicked,” Frances Hannon, Laura Blount and Sarah Nuth

Best Cinematography
“The Brutalist,” Lol Crawley  
“Dune: Part Two,” Greig Fraser 
“Emilia Pérez,” Paul Guilhaume  
“Maria,” Ed Lachman  
“Nosferatu,” Jarin Blaschke 

Best Film Editing
“Anora” Sean Baker
“The Brutalist” David Jancso
“Conclave” Nick Emerson 
“Emilia Pérez” Juliette Welfling
“Wicked” Myron Kerstein 

Best Production Design
“The Brutalist,” Production Design: Judy Becker, Set Decoration: Patricia Cuccia
“Conclave,” Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter
“Dune: Part Two,” Production Design: Patrice Vermette, Set Decoration: Shane Vieau
“Nosferatu,” Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová
“Wicked,” Production Design: Nathan Crowley, Set Decoration: Lee Sandales

Best Original Score
“The Brutalist,” Daniel Blumberg
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song
“El Mal” from “Emilia Pérez,” Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from “The Six Triple Eight,” Music and Lyric by Diane Warren
“Like a Bird” from “Sing Sing,” Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from “Emilia Pérez,” Music and Lyric by Camille and Clément Ducol
“Never Too Late” from “Elton John: Never Too Late,” Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Best Sound
“A Complete Unknown,” Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
“Dune: Part Two,” Gareth John, Richard King, Ron Bartlett and Doug Hemphill
“Emilia Perez,” Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
“Wicked,” Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
“The Wild Robot,” Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Best Visual Effects
“Alien: Romulus,” Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
“Better Man,” Luke Millar, David Clayton, Keith Herft and Peter Stubbs
“Dune: Part Two,” Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
“Kingdom of the Planet of the Apes,” Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
“Wicked,” Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Best Documentary Short Film
“Death by Numbers” Kim A. Snyder and Janique L. Robillard
“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp
“Incident” (The New Yorker) Bill Morrison and Jamie Kalven
“Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari
“The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington

Animated Short Film
“Beautiful Men,” (Miyu Distribution) Nicolas Keppens and Brecht Van Elslande 
“In the Shadow of Cypress,” Shirin Sohani and Hossein Molayemi
“Magic Candies,” (Toei Animation) Daisuke Nishio and Takashi Washio
“Wander to Wonder,” (Miyu Distribution) Nina Gantz and Stienette Bosklopper
“Yuck!” (Miyu Distribution) Loïc Espuche and Juliette Marquet

Best Live Action Short Film
“A Lien,” Sam Cutler-Kreutz and David Cutler-Kreutz  
“Anuja,” Adam J. Graves and Suchitra Mattai  
“I’m Not a Robot” (The New Yorker) Victoria Warmerdam and Trent
“The Last Ranger,” Cindy Lee and Darwin Shaw  
“The Man Who Could Not Remain Silent” (Manifest) Nebojša Slijepčević and Danijel Pek

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Bengi